Digital illustrator, 3D sculptor, and video game creator José Tijerín takes readers step by step through creation of crowds using AI to generate textures as well as the new features in iClone Crowd Sim.
New proprietary GenAI integrated toolkit, developed on NVIDIA Omniverse, is designed for development, production, and post-production of new animated content as well as upgrading existing catalogs.
U.K. Screen Alliance CEO Neil Hatton and the U.K. Department for Business and Trade head of Creative Industries Tendai Chetse take the stage at the animation conference, which runs May 1-2 in Birmingham.
Advancing its accessibility offerings, PBS Kids launches ASL integration on popular animated series, available free on its digital streaming platforms; shows include ‘Arthur,’ ‘Daniel Tiger’s Neighborhood,’ and ‘Donkey Hodie.’
The software-defined platform helps developers in broadcast and streaming deliver AI-enabled media solutions.
New technology helps media and entertainment studios automate, integrate, and manage their complex assortment of GenAI-assisted DCC tools.
The customizable and scalable cloud-based system boasts built-in customization tools and popular DCC integrations, offering accelerated production timelines without capacity limitations and no upfront costs.
The new holding company housing MPC, Mikros Animation, The Mill, and Technicolor Games plans a gradual transformation from VFX and animation businesses to a singular ‘visual experiences’ company delivering cutting-edge technology in visual storytelling.
The end-to-end, cloud-native software platform brings generative AI within reach of every business; now includes NVIDIA NIM to speed generative AI application deployment, NVIDIA AI Workbench and the widely used Red Hat OpenStack Platform.
Attempting to prevent the use of AI in the workplace is a Quixotic effort.
Orlando Arocena, Bradley G Munkowitz (aka GMUNK), Nidia Dias, Jody MacDonald, and Rik Oostenbroek tapped HP technology to create an otherworldly journey inspired by the sounds of alt-pop German rock duo Clemens Rehbein and Phillipp Dausch, aka Milky Chance; go behind-the-scenes and watch the final piece.
Offering 900 sessions and over 300 exhibitors, the annual conference focuses on how NVIDIA platforms are being tapped to achieve remarkable breakthroughs across industries that are placing Generative AI center stage; attend in person or online March 18-21.
New PCs designed to help organizations implement AI strategies and create a modern workplace that can embrace new AI-enabled workflows.
Generative AI and hybrid work environments are requiring increasingly powerful laptops; new NVIDIA GPUs will be available in highly portable mobile workstations from partners including Dell, HP, Lenovo and MIS this spring.
The VFX supervisors explain director Gareth Edward’s innovative, slightly radical new approach to filmmaking, a type of ‘reverse engineering,’ including the integration of visual effects, when during the process they’re created, and when it’s best not to use them, on his multiple VES Award-winning sci-fi thriller that’s been nominated for a Best Visual Effects Oscar.
Conducted by LA-based CVL Economics, the study surveyed 300 C-Suite leaders to better understand the entertainment industry’s growing embrace of GenAI technology and its effect on jobs.
The use of AI will provide significant advantages and present serious challenges.
Coming next month, the 2D animated kids' series, produced by Mighty Picnic and Pipeline Studios, centers on the dynamic and curious 7-year-old Lyla, who, along with family and friends, solves a range of everyday problems using creative and strategic problem-solving skills and critical thinking.
AI-assisted production workflow designed for kids’ animation production features text-to-3D motion, motion-to-motion retransfer and text or animatic-to-motion retrieval.
The gripping adventure set amidst a future war between humans and the forces of AI debuts on the streamer December 20; also now available for purchase on digital and 4K Ultra HD, Blu-ray, and DVD.
Created by Paul Trillo, the short follows a cosmic teardrop throughout the Musée Du Louvre; behind-the-scenes short illustrates how traditional VFX and AI tools help realize creative visions.
The director and his VFX Supervisor, Jay Cooper, explain how they completely reversed the standard production process for his sci-fi epic, employing spontaneous live-action shoots that looked cool, not controlled, with 3D environments, digital matte paintings, and many other elements on the 1,600 visual effects shots designed afterwards, not before.
New Louisiana Civil Rights Museum exhibit culminates in an immersive environment created using projection mapping and motion detection, where visitors step into and experience the Civil Rights journey that shaped the country.
Ex-DreamWorks COO and CFO joins advisory board of company behind ‘God’s Gang’ animated series, led by former Disney exec Nimrod Avraham May; the group’s multinational team is committed to projects free of AI-generated content.
New integration of the companies' platforms allows creators to generate a plug-and-play scene quickly on an LED stage.
