A library of more than 500 handkey motions, including unique, stylized interactions and movements such as walk, talk, and run, lets animators easily add zest to 3D cartoon productions.
The new, seamless solution leverages Reallusion’s iClone, Character Creator, and NVIDIA’s Audio2Face to revolutionize multi-lingual facial lip-sync animation production.
3D animator and Cineshare CEO Pekka Varis shares his 3D crowd generation workflow for a cinematic night scene utilizing iClone Live Sync to NVIDIA Omniverse™, integrating ActorCore 3D characters and mocap animations to create a dynamic and engaging experience.
For digital content creator Daniel Pojda, new features in Cartoon Animator 5.2 have improved his standard animation workflow significantly, letting him focus more time on details and secondary animations on projects like his spaceship rocketing through outer space.
8 projects across five categories are honored, demonstrating a wide array of styles, topics, and skill levels that show how the animation program supports streamlined creative diversity.
Latest enhancements to free auto-rig application enable top interactive online presentations where you can embed animated 3D characters into websites and easily share them using mobile devices.
Reallusion’s latest release automates 2D production with cursor-led movement, integrating an intuitive interface and seamless keyframe editing to generate animations in mere seconds.
Zez Vaz, founder of Toma Creators Studio, shares how to use the dynamic content pack ‘Make Me Actor’ and ‘Instructional Tools’ to transform objects and images into speaking actors for use in talk shows, e-learning animations, and teaching resources.
Nathan Smith, Director of Studio Ghibletz, shares how to use the new vector character launcher to create props in Photoshop and Illustrator so you can then add GIF animations to your latest cartoon.
Animator Jop Govers breaks down his latest project, from sketching with an iPad and storyboarding with Photoshop to designing characters and animating with Cartoon Animator 5 and compositing with After Effects.
Piera Varda explains how he and his team at Peru-based La Escena Virtual designed and produced their ambitious animated short, ‘The Within,’ after upgrading their workflow to integrate new real-time tools that enabled much greater creative control and artistic freedom.
In a quest to make new breakthroughs in 2D animation, the Director of Studio Ghibletz, Nathan Smith, shares his workflow for simulating classic hand-drawn animation in Cartoon Animator 5.
