The overall production VFX producer on Oscar-nominee/VES Award-winner ‘The Creator’ brings his 30 years of experience to new role overseeing studio’s talent, technology, and services.
4-day event kicks off in Stuttgart on April 23, 2024; new program confirmations include ‘The Power of Collaboration’ a discussion of Global Inclusion, Community, and Connection and Feature VFX: A look behind the scenes of ‘The Creator;’ tickets are now on sale
The two films finish out the 2024 awards season with wins for Best Animated Feature and Best Visual Effects, respectively, on a night that also saw ‘WAR IS OVER! Inspired by the Music of John & Yoko’ win for Best Animated Short Film and ‘Oppenheimer’ take home 7 statues, including Best Picture and Best Cinematography.
Take a deeper look at ‘The Creator,’ ‘Godzilla Minus One,’ ‘Guardians of the Galaxy Vol. 3,’ ‘Mission: Impossible – Dead Reckoning Part One,’ and ‘Napoleon,’ all vying for the Best Visual Effects Oscar at the 96th Academy Awards coming March 10, 2024.
The VFX supervisors explain director Gareth Edward’s innovative, slightly radical new approach to filmmaking, a type of ‘reverse engineering,’ including the integration of visual effects, when during the process they’re created, and when it’s best not to use them, on his multiple VES Award-winning sci-fi thriller that’s been nominated for a Best Visual Effects Oscar.
Gareth Edwards’ innovative sci-fi drama set during a future global war between mankind and AI simulants takes home 5 awards, while the hit ‘Spider-Man: Into the Spider-Verse’ sequel takes home 4; HBO’s critically acclaimed, Emmy Award-winning game adaptation series also garners 4 awards.
Hayao Miyazki’s first film in 10 years, and Yorgos Langthimos’ dark comedy were two of the big winners at last night’s 2024 EE British Academy Film Awards; Christopher Nolan's 'Oppenheimer' led all films with 7 wins.
The two films take home top honors for Best Feature Film, live-action and animated, respectively; annual event recognizes distinguished creative and technical achievement in motion pictures, television, and emerging media.
‘The Boy and the Heron,’ ‘Elemental,’ ‘Nimona,’ ‘Robot Dreams,’ and ‘Spider-Man: Across the Spider-Verse’ nab noms for best animated feature, while ‘The Creator,’ ‘Godzilla Minus One,’ ‘Guardians of the Galaxy Vol. 3,’ ‘Mission: Impossible – Dead Reckoning Part One,’ and ‘Napoleon’ take the top spots for best visual effects.
‘The Boy and The Heron,’ ‘Chicken Run: Dawn of The Nugget,’ ‘Elemental,’ and ‘Spider-Man: Across the Spider-Verse’ get the nod for Animated Film with ‘The Creator,’ ‘Guardians of the Galaxy Vol. 3,’ ‘Mission: Impossible – Dead Reckoning Part,’ ‘Napoleon,’ and ‘Poor Things’ selected for Special Visual Effects.
The gripping adventure set amidst a future war between humans and the forces of AI debuts on the streamer December 20; also now available for purchase on digital and 4K Ultra HD, Blu-ray, and DVD.
The director and his VFX Supervisor, Jay Cooper, explain how they completely reversed the standard production process for his sci-fi epic, employing spontaneous live-action shoots that looked cool, not controlled, with 3D environments, digital matte paintings, and many other elements on the 1,600 visual effects shots designed afterwards, not before.
‘Barbie’ nabs 18 nominations, including Best Production Design, while ‘Oppenheimer’ and ‘Poor Things’ each scored 13 nominations, including Best Picture and Best Visual Effects, and ‘Spider-Man: Across the Spider-Verse’ earned 3 nominations, including Best Animated Feature and Best Visual Effects; winners will be announced January 14 at a gala broadcast live on The CW.
Academy members will vote to determine five nominees for best visual effects at the 96th Academy Awards; films also qualify for other categories including best picture.
Wrapping up Infinity Festival Hollywood’s 6th edition, the awards presentation honored visionaries in the fields of television, film, gaming, fine art and their contributions to storytelling and technology.
With his innovative and compelling sci-fi action adventure now wowing cinema audiences, the director discusses his radical new approach to filmmaking and VFX in the just released featurette, ‘Advancing AI: Creating The Creator;’ Edwards’ film was made possible by recent technological advances and a collaboration with James Knight, AMD’s Global Director of Media & Entertainment and VFX, who kept the filmmaker abreast of the rapidly changing AI landscape from script to final press junket.
The gripping sci-fi adventure about a future war between humans and AI, starring John David Washington (‘Tenet’), Gemma Chan (‘Eternals’), and Ken Watanabe (‘Inception’), hits theaters September 29; VFX studios include Clear Angle Studios, Crafty Apes, Fin Design + Effects, Folks VFX, Frontier VFX, ILM, Jellyfish Pictures, MARZ, Misc Studios, Outpost VFX, Supreme Studio, and VFX Los Angeles.
The creative studio once again partnered with Mercedes-Benz, providing live-action production, editorial, post, VFX, color grading and finishing, transforming a daytime shoot on the California coast into night scenes.
Special screenings set at IMAX theaters in major U.S. cities of exclusive first-look footage from the upcoming sci-fi thriller, followed by a live Q&A with the director/producer/co-writer; film hits theaters next month.
The film about a future war between humans and AI, starring John David Washington (‘Tenet’), Gemma Chan (‘Eternals’), and Ken Watanabe (‘Inception’) hits theaters September 29.
Directed by ‘Rogue One’s Gareth Edwards, the film about a future war between humans and AI stars John David Washington, Gemma Chan, and Ken Watanabe; hits theaters September 29.
