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Tagged With: Leandre Lagrange

VFX for television VFXWorld

‘Halo’ Season 2 Reflects the Wizardry of Its VFX Teams

VFX Supervisor Wojciech Zielinski talks about adding depth, breadth, and grit to the 2,596 visual effects shots produced for the second season of the hit Paramount+ sci-fi series, adapted from one of the most popular video game franchises of all time.

VFX for television Headline News

MPC Shares ‘Halo’ Season 2 VFX Breakdown Reel, Concept Art

The company delivered 97 shots for the popular action-adventure sci-fi series’ second season, including futuristic set extensions, full CG city environments, hologram inserts, and destruction FX simulations for battle scenes, vehicles, and crowds.

VFX for Movies Headline News

MPC Shares ‘Spaceman’ VFX Breakdown

Studio’s VFX team delivered over 800 shots, including all space environments, on director Johan Renck’s sci-fi drama starring Adam Sandler and Carey Mulligan; film now streaming on Netflix.

VFX Magic Headline News

MPC Shares ‘Transformers: Rise of the Beasts’ VFX Breakdown Reel

See how the leading visual effects studio delivered 896 shots on Paramount Pictures’ newest entry in the ‘Transformers’ universe, including creating multiple large-scale full CG and digital set extensions, including one that transported the present-day New York skyline back to 1994.

VFX Magic Headline News

MPC Shares VFX and Animation From ‘Transformers: Rise of the Beasts’

Studio created multiple large-scale full CG and digital set extensions, including one that transported the present-day New York skyline back to 1994; a team of 1,000+ artists across London, Montreal, Bangalore, LA, Toronto, and Adelaide delivered 896 shots, including 18 of the movie’s characters.

Stay Pufty My Friends VFXWorld

MPC Film Creates S’More Great VFX for ‘Ghostbusters: Afterlife’

By Dan Sarto | Thursday, January 6, 2022 at 2:40pm

Leading visual effects studio designs new ghosts, brings Harold Ramis back as Dr. Egon Spengler, and animates a horde of mini Stay-Puft marshmallows wreaking havoc on a Walmart, in Jason Reitman and Sony’s long awaited ‘Ghostbusters’ sequel.