FMX Drops 2025 Conference Trailer
Created by Samuel Lewek and his team at the Filmakademie Baden-Württemberg, ‘Dancing in Norms’ reflects the upcoming event’s ‘Rhythm of Change’ theme; ‘House of the Dragon’ Season 2 is first confirmed presentation.
Created by Samuel Lewek and his team at the Filmakademie Baden-Württemberg, ‘Dancing in Norms’ reflects the upcoming event’s ‘Rhythm of Change’ theme; ‘House of the Dragon’ Season 2 is first confirmed presentation.
The teacher and EAST Initiative advocate plans to promote RADiCAL’s mission of democratizing content creation by empowering young people in underprivileged and under-represented communities via emerging technologies.
The new tech, which includes Sony’s BURANO and VENICE 2 digital cinema cameras as well as the VERONA Crystal LED modular display, was featured at the recent ‘Arts in Motion’ event.
The background segmentation tool allows broadcasters to integrate real-time 2D and 3D graphics into live productions without greenscreens, manual rotoscoping, or match moving.
The upcoming free livestream event features a lengthy lineup of worldwide VFX talent, allowing viewers to interact with speakers via live chat, ask questions, win prizes, and more, on December 6 and 8.
The Sony Group CTO will present his talk, ‘Co-Creating Worlds with Game Designers, Animators, and Filmmakers’ on December 5, 10:00 – 11:00 a.m. JST; SIGGRAPH Asia will be held in Chiyoda, Tokyo, December 3 - 6.
The new Spanish language adaptation of Lee’s holiday hit ‘Rockin’ Around the Christmas Tree’ was created with the singer’s full authorization via ‘responsibly sourced’ AI.
The AI-powered visual effects studio built neural network models to portray actors Tom Hanks, Robin Wright, Paul Bettany and Kelly Riley through time at different ages.
Paul Debevic named chair of the 4-day conference on animation, VFX, interactive and immersive, which runs May 6-9, 2025 in Stuttgart.
From the innovative use of mocap for fast prototyping with virtual story reels to choosing the right cameras to ensure a proper sense of scale on massive sets and environments, the cinematographer discusses how he handled layout and composition on Josh Cooley and Paramount’s 3DCG origin story of how two best friends became the sworn enemies Optimus Prime and Megatron.
Tailored for high-end projects like the upcoming 'Pocoyo Season 6,' the software turns rough sketches, even rough storyboards, into fully-rendered 3D animations with one click.
Latest update features major enhancements to animation authoring, rendering, virtual production, mobile game development, and developer iteration toolsets.
The former Facebook Global Creative Product Lead for Immersive will lead and develop client relationships for new projects as the company expands its footprint in the immersive market.
Powered by Video to 3D Scene technology, the Wonder Animation tool turns any video sequence into a 3D-animated scene via AI reconstruction; the beta is available now to Wonder Studio users.
A newly-created Office of Technological Enablement will be headed by previous Walt Disney Studios CTO Jamie Voris, and will explore opportunities and risks associated with AI, mixed reality, and other current and emerging tech.
New Gaussian Splat support lets users quickly create 3D environments from photos or videos; 20+ new features and improvements range from creative scatter options to firefly removal.
From previs, techvis, and postvis to a 5,000-frame street fight ‘oner,’ 3rd act Time Ripper disintegration, and our villain’s hand rummaging around a person’s head – think pinkie out the nose – VFX supervisor Matt Twyford, senior visualisation supervisor Kaya Jabar, and their teams delivered some of the most impressive visual effects seen of late on Shawn Levy’s hilarious and bloody new Marvel blockbuster.
On display through July 2025, back by popular demand, the unique, large scale zoetrope features characters from animation studio’s famed franchise, giving visitors a birds-eye view of the optical illusion that makes all moving pictures possible.
Bart joins the Bengals while Homer teams with the Cowboys in ‘The Simpsons Funday Football’ live altcast, with animated versions of Mina Kimes, Dan Orlovsky and Drew Carter, streaming December 9 at 8 PM.
From the Minotaur and the Chimera to the Underworld and the pit of Tartarus, Senior VFX Supervisor Erik Henry talks about what it took to create the mythological universe for the hit Disney+ series, now streaming.
From post-production VFX to rendering and retouching, key content creation applications are employing AI and machine learning features, coupled with the latest AMD GPUs, to greatly increase artist productivity by speeding up routine tasks without the need to upload commercially sensitive data to the cloud.
‘Time Flies, and ‘Chelita, Como Me Duele Quererte,’ though completely different films, share the concept of lost time; they also share the use of exciting new software, developed by SCAD alum Noah Catan, that enables 3D lighting effects on 2D animation.
3D animator and DP Rasmus Tukia talks about Benjamin Ree’s ‘must see’ live-action / animated documentary about the vibrant, expansive, but secret virtual life of a young Norwegian, Mats Steen, who died at age 25 of a degenerative disease, and whose ‘World of Warcraft’ game exploits and incredible legion of friends were only discovered upon his death, debuting today, October 25, on Netflix.
Ahead of Lightbox Expo, the tech giant announces major updates to its digital painting and drawing app, now offered without charge to all users; the Expo runs October 25-27 at the Pasadena Convention Center.
In Netflix’s dark comedy starring Jeff Goldblum as the mythical Greek god, Zeus, the studio’s team created numerous VFX sequences, including a CG Mount Olympus and dramatic thunderstorms orchestrated by the gods.