‘Flow,’ ‘Inside Out 2,’ ‘Wallace & Gromit: Vengeance Most Fowl,’ and ‘The Wild Robot’ get the nod for Animated Film with ‘Better Man,’ ‘Dune: Part Two,’ ‘Gladiator II,’ ‘Kingdom of the Planet of the Apes,’ and ‘Wicked’ selected for Special Visual Effects.
Led by VFX supervisor James Brennan-Craddock, the studio delivered postvis and 317 visual effects shots on Tim Burton’s hit ‘Beetlejuice’ sequel, including digital versions of a miniature plane, simulated oceans, stretched faces, and sequences featuring the famed sandworm.
Denis Villeneuve’s sci-fi thriller tops all feature film contenders, while Chris Sanders’ animated drama leads all animation contenders and the HBO and FX dramas top all episodic contenders as nominees are announced in 25 categories across film, television, real-time, and special venue projects; ceremony set for February 11 at The Beverly Hilton Hotel in LA.
Nominations voting period extended due to the ongoing Los Angeles fires and their impact; AMPAS has changed some key dates and events on its awards season schedule.
‘Despicable Me 4,’ ‘Flow,’ ‘Inside Out 2,’ ‘Memoir of a Snail,’ ‘Moana 2,’ ‘That Christmas,’ ‘Wallace and Gromit: Vengeance Most Fowl,’ and ‘The Wild Robot’ advance in the Best Animated Film category as voting begins for the coveted British film awards; nominations announced January 15, with awards revealed at February 16 ceremony.
Led by VFX supervisor Matthew Krentz, the studio delivers 253 visual effects shots on Tim Burton’s hit ‘Beetlejuice’ sequel, including baby Beetlejuice, a stop-motion Charles Deetz being bitten by a shark, and the famed ghost’s dismembered ex-wife Delores.
Best Animated Feature nominees ‘Inside Out 2,’ ‘Kung Fu Panda 4,’ ‘That Christmas,’ ‘The Wild Robot,’ ‘Ultraman: Rising,’ and ‘Wallace & Gromit: Vengeance Most Fowl’ top the expansive list of category nominations; animation’s biggest awards ceremony is scheduled to return live on Saturday, February 8 at UCLA’s Royce Hall.
Focusing on seamless integration of cutting-edge VFX with analog craftsmanship that included stop-motion, animatronics, and models, Oscar-winning VFX supervisor Eric Barba helped director Fede Alvarez ramp up the terror and suspense in his haunting deep space saga.
VFX category narrowed down to 10 films, animated shorts to 15; voting for nominations runs next month, January 8-12, with nomination announcements set for January 17, 2025.
‘Flow,’ ‘Inside Out 2,’ ‘Moana 2,’ ‘Wallace & Gromit: Vengeance Most Fowl,’ and ‘The Wild Robot’ are nominated in the best edited animated features category; winners for outstanding editing will be announced at the January 18 awards ceremony.
With breathtaking animation and a heartfelt narrative, Studio Ponoc’s hand-drawn animated film celebrates the unrestrained magic of childhood imagination while addressing universal themes of loss, memory, and the enduring power of stories.
A superpowered villain - Keanu Reeves’ Shadow - appears, forcing Sonic, Knuckles, and Tails to reunite… with an all new, highly unlikely alliance - dare we say the name, Dr. Robotnik!; the animated/live-action feature hits theaters December 20.
Keanu Reeves stars as ‘Shadow the Hedgehog,’ a mysterious villain that Sonic, Knuckles, and Tails must reunite against… with an all new, highly unlikely alliance – dare we say the name, Dr. Robotnik!; the animated/live-action feature hits theaters December 20.
Entries are now being accepted to the competition - jury includes filmmaker Jason Reitman, filmmaker and writer Minhal Baig, 3000 Pictures president Elizabeth Gabler, and director Justin Chadwick; event runs June 2-6, 2025 at Sony Pictures Studios in Culver City.
The Oscar-winning director of ‘Harvie Krumpet’ discusses his new, award-winning, decidedly not-for-kids stop-motion feature, including the use of sophisticated magnetic puppets, being forced to play board games as a kid, and how personal lubricant makes the best tears because it can go all day and not evaporate.
Academy members will vote to determine five nominees for best animated feature film award at the 97th Oscars; films also qualify for other categories including best picture.
Go behind-the-scenes with three-time Oscar nominee and Golden Globe winner Dean DeBlois to get a first glimpse of his passion project, a live-action reimagining of the first film of the studio’s hugely successful animated trilogy that first hit theaters in 2010.
Three-time Oscar nominee and Golden Globe winner Dean DeBlois write, produces and directs the reimagined first film of DreamWorks Animation's hugely successful animated trilogy that first hit theaters in 2010.
We’re loving the battle rhino in the visually stunning, often brutal ancient Roman world of Sir Ridley Scott's Oscar-winning ‘Gladiator’ sequel, coming to theaters November 22.
The Oscar-winning VFX supervisor once again teams up with filmmaker Denis Villeneuve for the second of three adaptations of Frank Herbert’s seminal sci-fi tome, shooting practical wherever possible to capture the right desert light, shadow and tone.
From previs, techvis, and postvis to a 5,000-frame street fight ‘oner,’ 3rd act Time Ripper disintegration, and our villain’s hand rummaging around a person’s head – think pinkie out the nose – VFX supervisor Matt Twyford, senior visualisation supervisor Kaya Jabar, and their teams delivered some of the most impressive visual effects seen of late on Shawn Levy’s hilarious and bloody new Marvel blockbuster.
On display through July 2025, back by popular demand, the unique, large scale zoetrope features characters from animation studio’s famed franchise, giving visitors a birds-eye view of the optical illusion that makes all moving pictures possible.
Bonnie Arnold and Louise Goodsill are teaming up on the film, which follows 11-year-old Juniper Lane as she’s thrown into a Christmas adventure after a mysterious woodsman exposes her to North Pole magic; could the man be Santa in disguise?
3D animator and DP Rasmus Tukia talks about Benjamin Ree’s ‘must see’ live-action / animated documentary about the vibrant, expansive, but secret virtual life of a young Norwegian, Mats Steen, who died at age 25 of a degenerative disease, and whose ‘World of Warcraft’ game exploits and incredible legion of friends were only discovered upon his death, debuting today, October 25, on Netflix.
As Chris Sanders and Dreamworks Animation’s latest film took shape, at one point, ‘Roz’ was a bit overprotective of the gosling she had no idea how to raise… until Pinktail the opossum stepped in with suggestions; the beautifully animated, emotional journey of a domestic robot shipwrecked on an uninhabited island who becomes the adoptive parent is available tomorrow, October 15 to rent or watch at home.
