After over six years of litigation, an Oakland jury has awarded roughly $600,000 to Reardon’s Oscar-winning VFX software MOVA Contour, with a paltry $345,000 meant to represent the profits gained from the wrongful use of assets.
The annual conference concludes its latest edition, which ran December 12-15 in Sydney; 5,690 attendees from more than 40 countries gathered, including technical and creatives in research, science, art, animation, gaming, interactivity, education, and emerging technologies.
VFX supervisor Alex Wang talks the Infected, Bloaters, massive Bloaters, a giraffe, and a crashing airliner as he breaks down the production of 3,000 visual effects shots created by DNEG, Wētā FX, Distillery VFX, Zero VFX, Important Looking Pirates, beloFX, Storm Studios, Wylie Co., RVX, Assembly, Crafty Apes, UPP, RISE, Framestore, Digital Domain and MAS on HBO’s critically acclaimed and wildly popular series.
Created by Paul Trillo, the short follows a cosmic teardrop throughout the Musée Du Louvre; behind-the-scenes short illustrates how traditional VFX and AI tools help realize creative visions.
VFX Supervisor Dann Tarmy breaks down his team’s extensive use of water sims, including how they tackled the huge, new challenge of replacing water in plates where the actor was shot in the water, on Netflix’s biographical sports drama of marathon swimmer Diana Nyad’s attempts to swim from Cuba to Florida.
The director and his VFX Supervisor, Jay Cooper, explain how they completely reversed the standard production process for his sci-fi epic, employing spontaneous live-action shoots that looked cool, not controlled, with 3D environments, digital matte paintings, and many other elements on the 1,600 visual effects shots designed afterwards, not before.
Alec Green and Finbar Watson’s Oscar-qualified 2D short poignantly captures the true story of Don Ritchie, who over the course of almost 50 years approached hundreds of people contemplating suicide on a cliff just 50 feet from his Sydney home.
Designed for full-scale productions, the new ProVis tools let filmmakers visualize and animate entire scenes, including digital assets, in real-time, across multiple cameras.
After two years of development, Reallusion has updated its 3D animation program with an integrated crowd simulation engine as well as the Motion Director Editor that lets users precisely steer characters in scenes and trigger motion sequences.
For filmmaker Julia Morizawa, learning about her grandparents she’d only seen in a black and white photo meant coming face-to-face with the horrors of the single most destructive bombing raid in human history, and how asking questions and confronting the past is the only way to keep tragic events from being lost to history and possibly happening again.
Organization reveals roadmap in push towards global OpenUSD standardization, development, evolution, and growth; 12 new general members added: Cesium, Chaos, Epic Games, Foundry, Hexagon, IKEA, Lowe's, Meta, OTOY, SideFX, Spatial, and Unity.
Christopher Lennertz’s 3DCG heartfelt short about a grandfather’s journey to understand his grandson’s message of love and pride stars 2023 Tony Award winner Alex Newell, the first-ever non-binary actor to win a Tony, and multi-Grammy Award winner Philip Lawrence, with ‘Nimona’s ND Stevenson serving as executive producer.
Out of 104 submissions, 14 projects were chosen for support in development of Ibero-American stories through technological innovation in animation.
New integration of the companies' platforms allows creators to generate a plug-and-play scene quickly on an LED stage.
For studio founder William Gadea, what better way to promote Indiana 811’s need to dramatize the possible negative consequences of digging up your yard without first located any underground utility lines than with Holey Moley as a rockin’ and rollin’, jumpsuit-wearing mole sporting a giant hair wave and a crew of sequined squirrel back-up singers.
The longtime Pixar technologist, who joined TCS in 2019, takes on new role to drive development of new technology platforms, enhancing the company’s digital capabilities.
Updates and enhancements include new baking tools, texturing content, and USD 23.05 and VFX Reference Platform 2023 support; team licensing is now available.
Numerous improvements revealed for ZBrush 2024 and Cineware’s import of Cinema 4D files into Unreal Engine; a new batch of Capsules give artists an even wider assortment of resources.
New MaterialX and USD Support, faster workflows, and V-Ray GPU updates and enhancements allow artists to complete their USD pipeline with smooth photoreal rendering across teams and tools in real-time.
A young Furiosa, played by Anya Taylor-Joy, is snatched from the Green Place of Many Mothers and falls into the hands of a great Biker Horde in the standalone action adventure revealing the origins of the fan-favorite character from ‘Mad Max: Fury Road;’ the film hits theaters nationwide May 24, 2024.
2 years after purchasing the VFX company’s tools, pipeline, technology and engineering talent pool, the company moves to refocus on video game development, with a goal to become a major player in the professional M&E market; it will also shutter 14 offices.
A conversation with Asian Virtual Human Association director Christopher Chen.
As chief content officer and EVP of production, the 30+ year VFX veteran will oversee all production, new business development, and content partnerships.
Filmmaker Tal Kantor’s first solo short film uses live-action and hand-drawn animation to tackle the heavy and complex subject of a Holocaust survivor addressing a classroom full of students, sharing a letter he wrote to the pig who saved his life, and how reality, memory, and imagination blend together in one young schoolgirl’s reaction.
Keynotes, panels, talks, workshops, and masterclasses from Italy’s premier event on Computer Graphics, Interactive Techniques, Digital Cinema, 2D/3D Animation, VR and AR, Gaming, and VFX now streaming; All-Access and Light Pass tickets on sale now.
