The VFX studio animates Disney+ series’ AI-driven character’s sinister transformation from friendly to deranged, delivering more than 125 shots, while also creating Loki’s green energy blasts and a digital extension to represent a blighted, working-class section of Chicago.
Tom Hiddleston, Sophia Di Martino, Ke Huy Quan and executive producer Kevin R. Wright look ahead to what it means to be Loki; new season set to debut October 5; VFX studios include Cantina Creative, ILM, Rising Sun Pictures, and Trixter.
On March 9, VFX supervisors from the 5 Best Visual Effects Oscar nominated films come together in a free VIEW Conference virtual panel; the event is offered in partnership with OGR and the VFX Festival.
‘Dune’ receives 10 nominations including Best Visual Effects and Best Picture; ‘Encanto,’ ‘Flee,’ ‘Luca,’ ‘The Mitchells vs. the Machines,’ and ‘Raya and the Last Dragon’ are nominated for Best Animated Feature; ‘Affairs of the Art,’ ‘Bestia,’ ‘Boxballet,’ ‘Robin Robin,’ and ‘The Windshield Wiper’ are nominated for Best Animated Short.
Leading VFX studio creates the mythical Great Protector dragon, demonic Dweller-in-Darkness, and an army of little demons for Marvel Studios’ first film to feature an Asian super hero.
The VFX studio delivers 237 shots, including the adorable, faceless, and furry four-winged Dijiang sidekick, in Marvel Studios’ first Asian super hero film.
Studio delivers nearly 300 shots depicting the village of Ta Lo and its lush, expansive jungle environs that included mountains, ancient forests, lakes, and rice paddies, along with a huge amount of natural looking vegetation, on Marvel Studios' first film to feature an Asian super hero.
High-end animation and visual effects studio used cineSync extensively to help define, refine and enhance their creative vision and stay in tune with directors Anna Boden and Ryan Fleck.
Group of 20 nominees draws on two decades of experience and technological advances, delivering shots that were previously unimaginable.
Oscar-nominated VFX supervisor details the myriad challenges in bringing director James Gunn’s blockbuster sequel to the screen.
The 18th VIEW Conference in Turin, Italy gets ready to present its biggest program ever of top animation, VFX, VR and game industry experts.
Supervisor James Baker leads the studio’s previs, techvis and postvis efforts on their second ‘Guardians’ and 11th Marvel film collaboration.
Vancouver and Los Angeles facilities deliver 550 VFX shots for the latest Marvel blockbuster, including key CG character sequences with Rocket and Baby Groot, large-scale destruction and spaceship crashes, environment design, and more.
Production VFX supervisor Christopher Townsend integrates the work of artists from around the world to wow audiences with Ego the Planet and other new digital characters in Marvel’s latest sci-fi action adventure hit.
Submissions for 18th annual VFX, computer graphics, games event running October 23-27, 2017 in Turin, Italy accepted through September 15.
Framestore collaborates with VFX supervisor Christopher Townsend to deliver more than 620 shots ranging from creature work, spaceships, ‘the best opening sequence in the world’ and an exhilarating space chase across the Galaxies.
Annual voting event showcases visual effects for the Academy’s shortlisted films: ‘Ant-Man,’ ‘Avengers: Age of Ultron,’ ‘Ex Machina,’ ‘Jurassic World,’ ‘Mad Max: Fury Road,’ ‘The Martian,’ ‘The Revenant,’ ‘Star Wars: The Force Awakens,’ ‘Tomorrowland’ and ‘The Walk.’
Italy’s VIEW Conference 2015 is just around the corner, with a top lineup of industry leaders preparing for a memorable week of presentations and al dente agnolotti.
Other featured talks at VIEW 2015 to include Blue Sky’s Scott Carroll on ‘The Peanuts Movie,’ Pixar’s Kim White on ‘Inside Out’ and Sony’s Michael Kurinsky on production design for ‘Hotel Transylvania 2.’
ILM VFX supervisor Ben Snow discusses the enormity, complexity and challenges of the work his team wrestled with on Marvel’s latest superhero adventure.
In this four-part interview from FMX 2015, Christopher Townsend, the overall VFX Supervisor on ‘Avengers: Age of Ultron,’ provides a detailed overview of the key components of the Marvel Studios tentpole.
The Australian VFX studio tackles a variety of futuristic graphic elements on Marvel’s latest tentpole feature film.
