‘Flow,’ ‘Inside Out 2,’ ‘Wallace & Gromit: Vengeance Most Fowl,’ and ‘The Wild Robot’ get the nod for Animated Film with ‘Better Man,’ ‘Dune: Part Two,’ ‘Gladiator II,’ ‘Kingdom of the Planet of the Apes,’ and ‘Wicked’ selected for Special Visual Effects.
Led by VFX supervisor James Brennan-Craddock, the studio delivered postvis and 317 visual effects shots on Tim Burton’s hit ‘Beetlejuice’ sequel, including digital versions of a miniature plane, simulated oceans, stretched faces, and sequences featuring the famed sandworm.
Nominations voting period extended due to the ongoing Los Angeles fires and their impact; AMPAS has changed some key dates and events on its awards season schedule.
Led by VFX supervisor Matthew Krentz, the studio delivers 253 visual effects shots on Tim Burton’s hit ‘Beetlejuice’ sequel, including baby Beetlejuice, a stop-motion Charles Deetz being bitten by a shark, and the famed ghost’s dismembered ex-wife Delores.
Best Animated Feature nominees ‘Inside Out 2,’ ‘Kung Fu Panda 4,’ ‘That Christmas,’ ‘The Wild Robot,’ ‘Ultraman: Rising,’ and ‘Wallace & Gromit: Vengeance Most Fowl’ top the expansive list of category nominations; animation’s biggest awards ceremony is scheduled to return live on Saturday, February 8 at UCLA’s Royce Hall.
Focusing on seamless integration of cutting-edge VFX with analog craftsmanship that included stop-motion, animatronics, and models, Oscar-winning VFX supervisor Eric Barba helped director Fede Alvarez ramp up the terror and suspense in his haunting deep space saga.
VFX category narrowed down to 10 films, animated shorts to 15; voting for nominations runs next month, January 8-12, with nomination announcements set for January 17, 2025.
Entries are now being accepted to the competition - jury includes filmmaker Jason Reitman, filmmaker and writer Minhal Baig, 3000 Pictures president Elizabeth Gabler, and director Justin Chadwick; event runs June 2-6, 2025 at Sony Pictures Studios in Culver City.
Go behind-the-scenes with three-time Oscar nominee and Golden Globe winner Dean DeBlois to get a first glimpse of his passion project, a live-action reimagining of the first film of the studio’s hugely successful animated trilogy that first hit theaters in 2010.
Three-time Oscar nominee and Golden Globe winner Dean DeBlois write, produces and directs the reimagined first film of DreamWorks Animation's hugely successful animated trilogy that first hit theaters in 2010.
The Oscar-winning VFX supervisor once again teams up with filmmaker Denis Villeneuve for the second of three adaptations of Frank Herbert’s seminal sci-fi tome, shooting practical wherever possible to capture the right desert light, shadow and tone.
From previs, techvis, and postvis to a 5,000-frame street fight ‘oner,’ 3rd act Time Ripper disintegration, and our villain’s hand rummaging around a person’s head – think pinkie out the nose – VFX supervisor Matt Twyford, senior visualisation supervisor Kaya Jabar, and their teams delivered some of the most impressive visual effects seen of late on Shawn Levy’s hilarious and bloody new Marvel blockbuster.
3D animator and DP Rasmus Tukia talks about Benjamin Ree’s ‘must see’ live-action / animated documentary about the vibrant, expansive, but secret virtual life of a young Norwegian, Mats Steen, who died at age 25 of a degenerative disease, and whose ‘World of Warcraft’ game exploits and incredible legion of friends were only discovered upon his death, debuting today, October 25, on Netflix.
New live-action film will be directed by Sam Hargrave; the video game franchise follows modern-day ninja Joe Musashi as he fights evil.
Ana de Armas joins the murky, fiendish and bloody world of assassins, circa ‘John Wick: Chapter 3 – Parabellum,’ in the action-packed origin story of Eve Macarro and the traditions of the Ruska Roma; hitting theaters June 5, 2025.
The 16th edition of ReAnimania runs October 21-27 in Yerevan, Armenia.
Ahead of the prolific video game franchise’s 25th anniversary, Amazon MGM Studios confirms its first film adaptation is in the works.
Director Veit Helmer shot live-action animals, then animated them talking using an innovative photorealistic VFX pipeline that included Maya, Nuke, Arnold, Unreal Engine and LiveFX, on his new feature about the fantastical adventures of a young monkey who escapes from a zoo to reunite with his family.
VFX Supervisor Dan Macarin dissects his team’s intricate work enhancing the motion of Deadpool’s mask to match Ryan Reynolds' emotions, comedic timing, and dialogue, along with digitally enhancing Wolverine’s corpse, on Marvel Studios’ blockbuster superhero adventure, now playing in theaters.
VFX supervisor Dan Bethell helped the studio deliver 880 shots on famed director George Miller’s latest post-apocalyptic romp, including work on the Citadel Battle, the Bullet Farm ambush, the Stowaway to Nowhere, and the titular character’s mechanical arm.
Iconic villains aren’t born. They’re made… especially for film! Aaron Taylor-Johnson stars alongside Russell Crowe in the visceral origin story of the the world’s greatest, and most feared hunter… with a vendetta against Spider-Man. Film hits theaters December 13.
The highest-grossing animated movie of all time comes to digital August 20 and 4K Ultra HD, Blu-ray and DVD on September 10; film returns to Riley’s now teenage mind, where HQ must make room for unexpected new emotions: Anxiety, Envy, Ennui, and Embarrassment.
The award-winning singer/songwriter’s new song is featured in Locksmith Animation’s animated film, coming December 6, directed by Simon Otto, based on the beloved children’s book series by BAFTA winning, Oscar nominated writer/director Richard Curtis.
ASIFA-Hollywood celebrates the best the industry has to offer at animation’s most prestigious awards ceremony, February 8, 2025, at UCLA’s Royce Hall.
Visual Effects Supervisor Josh Simmonds runs down the many ways in which his team amped the verisimilitude in George Miller’s latest ‘Mad Max’ franchise outing.
