compositing

Autodesk Reveals New Artist Tools and Workflows at AU 2024

At this year's Autodesk Univerisity, with the help of Mikros Animation, Digital Fish, and Wonder Studio, the tech giant demonstrated a slew of program feature updates and improvements across its product lineup, all designed to increase creative productivity and lower barriers for great storytelling.

In 3D, CG, Digital Media, Education and Training, Event, Films, People, Post-production, Previs/Postvis/Visualization, Short Films, Technology, Television, Virtual Production, Visual Effects | ANIMATIONWorld, VFXWorld | Geographic Region: All

It’s About Time! ANIMATIONWorld

SCAD Student Films Spotlight Pantheon 2D Tech and Our Relationship with Time

‘Time Flies, and ‘Chelita, Como Me Duele Quererte,’ though completely different films, share the concept of lost time; they also share the use of exciting new software, developed by SCAD alum Noah Catan, that enables 3D lighting effects on 2D animation.

In 2D, CG, Education and Training, Event, People, Short Films, Technology | ANIMATIONWorld | Geographic Region: North America

Dang that Guy Can Draw! ANIMATIONWorld

Bringing 3D Lighting Effects to 2D Animation in ‘Harold and the Purple Crayon’

Noah Catan and the team at Bent Image Labs used his Pantheon software tool to add critical volumetric shading to the key opening scenes of the film, set in Harold’s illustrated book world, without making the characters and their simple lines look like the came from a completely different world.

In 2D, Acting, Books, CG, Digital Media, Films, People, Technology, Visual Effects | ANIMATIONWorld | Geographic Region: All

Pioneers of Space Flight Headline News

Revenant VFX Adds to Dramatic ‘Apollo 13: Survival’ Documentary

The studio created 40 VFX shots and 17 MGFX animations for the film that chronicles the 1970 Apollo launch and its catastrophic explosion, adding compelling visuals to the emotional story and rescue; now streaming on Netflix.

In CG, Digital Media, Films, Motion Graphics, People, Visual Effects | Headline News, VFXWorld | Geographic Region: All

We Want More Critters that Talk VFXWorld

‘Akiko, The Flying Monkey’ and the Art of CG Animal Mouths

Director Veit Helmer shot live-action animals, then animated them talking using an innovative photorealistic VFX pipeline that included Maya, Nuke, Arnold, Unreal Engine and LiveFX, on his new feature about the fantastical adventures of a young monkey who escapes from a zoo to reunite with his family.

In 3D, CG, Films, People, Technology, Visual Effects | VFXWorld | Geographic Region: All

The Third Coming VFXWorld

Wētā FX Helps the Merc with a Mouth Get Expressive in ‘Deadpool & Wolverine’

VFX Supervisor Dan Macarin dissects his team’s intricate work enhancing the motion of Deadpool’s mask to match Ryan Reynolds' emotions, comedic timing, and dialogue, along with digitally enhancing Wolverine’s corpse, on Marvel Studios’ blockbuster superhero adventure, now playing in theaters.

In 2D, 3D, Acting, CG, Comics, Films, People, Technology, Visual Effects | VFXWorld | Geographic Region: All

Costner Heads West VFXWorld

Ingenuity Studios Corrals the VFX in ‘Horizon: An American Saga Chapter 1’

Led by VFX supervisor J.P. Jaramillo, the company delivers 256 shots on Kevin Costner’s epic Western, including river, canyon, and town environments, digital horses and insects, and lots of fire, smoke, and rain.

In Acting, CG, Films, People, Visual Effects | VFXWorld | Geographic Region: All

Capturing The Falling Guy VFXWorld

Expert VFX Play a Supporting Role on ‘The Fall Guy’

Visual Effects Supervisor Matt Sloan, handling as much in-camera as possible so digital effects didn’t overshadow the tremendous stunt work, helped deliver 1,400 VFX shots working with Framestore, Cinesite, Rising Sun Pictures and Crafty Apes, as well as extensive postvis by OPSIS, on David Leitch’s behind-the-scenes ode to stuntmen, starring Ryan Gosling and Emily Blunt.

In 3D, Acting, CG, Films, People, Previs/Postvis/Visualization, Visual Effects | VFXWorld | Geographic Region: All

Love Those Reindeer Antics Headline News

Proof Shares ‘Dashing Through the Snow’ Postvis Reel

Leading visualization studio helps create balance between magical wonder, grounded, convincing behaviors, and funny antics for Disney’s holiday adventure film, contributing to several sequences including the final reindeer battle.

In 3D, CG, Digital Media, Films, People, Previs/Postvis/Visualization, Visual Effects | Headline News, VFXWorld | Geographic Region: All

Too Hot to Handle VFXWorld

Cinesite Delivers ‘The Fall Guy’s Flaming VFX

Visual Effects Supervisor Jennifer Giovanna Meire and her team oversaw 359 shots on David Leitch’s behind-the-scenes stunt-filled extravaganza, becoming combustion physics experts and digital pyromaniacs as they repeatedly set star Ryan Gosling on fire.

In 3D, Acting, CG, Films, People, Visual Effects | VFXWorld | Geographic Region: All

VFX for television VFXWorld

‘Halo’ Season 2 Reflects the Wizardry of Its VFX Teams

VFX Supervisor Wojciech Zielinski talks about adding depth, breadth, and grit to the 2,596 visual effects shots produced for the second season of the hit Paramount+ sci-fi series, adapted from one of the most popular video game franchises of all time.

In 3D, Acting, CG, Digital Media, Games, People, Visual Effects | VFXWorld | Geographic Region: All

VFX for television Headline News

MPC Shares ‘Halo’ Season 2 VFX Breakdown Reel, Concept Art

The company delivered 97 shots for the popular action-adventure sci-fi series’ second season, including futuristic set extensions, full CG city environments, hologram inserts, and destruction FX simulations for battle scenes, vehicles, and crowds.

In 3D, Art, CG, Digital Media, Games, People, Technology, Television, Visual Effects | Headline News, VFXWorld | Geographic Region: All

careers in animation Headline News

Podcast EP 251: Ole Tillmann - Creating the StopMo for ‘Harold Halibut’

The German game studio art director discusses his indie video game and its unique style, combining stop-motion animation with 3D scanning and CG compositing.

In CG, Games, Jobs & Recruiting, People, Stop-Motion | ANIMATIONWorld, Headline News, Podcast | Geographic Region: All

Straddling the Earth and Cosmos VFXWorld

Re-VIEW: ‘Oppenheimer’ – Clarity of the Fractured Lens

Christopher Nolan’s 7-time Oscar-winning biopic invites audiences to share the ‘father of the nuclear bomb’s insight and vision through extraordinary images of exploding stars, spinning atoms, and esoteric phenomena that depict his co-existence between earthly and cosmic realms and begs the question: ‘Is he blessed or cursed?’

In Acting, CG, Films, Music and Sound, People, Visual Effects | VFXWorld | Blogs: VIEW Conference Spotlight | Special Events: Academy Awards | Geographic Region: All

Commercials Headline News

Platige Image Shares ‘Versace’s Bright Crystal’ Campaign

The BAFTA-winning studio captures director Gordon von Steiner’s vision, contributing VFX including the creation of a mysterious liquid acting as a portal to an alternate reality.

In 3D, CG, Commercials, People, Post-production, Visual Effects | Headline News, VFXWorld | Geographic Region: All

Feature Film VFX VFXWorld

FutureWorks Tackles the VFX on ‘Rocky Aur Rani Kii Prem Kahaani’

The global visual effects studio partnered with Dharma Productions and DOP Manush Nandan to deliver over 1,300 shots, including set extensions, composites and motion graphics on numerous shots of phones, TVs, and iPad screens, and a CG car in a frantic chase sequence, on Director Karan Johar’s dramatic love story.

In 3D, CG, Films, People, Television, Visual Effects | VFXWorld | Geographic Region: Asia

People Headline News

Jellyfish Bolsters VFX Division with Veteran Hires

The animation and VFX studio taps ILM and NVIX alum Jamie Wood as Head of Compositing, also names Peter Seager as Head of CG.

In Business, CG, Digital Media, Films, Jobs & Recruiting, People, Television, Visual Effects | ANIMATIONWorld, Headline News, VFXWorld | Geographic Region: All

Commercials Headline News

Shotopop Ushers In Riot Games’ TFT Vegas With Animated Show Open

Along with U.S. rep Psyop, the London-based studio collaborated on the short that welcomes VIP players and hosts arriving at the MGM Grand in Las Vegas, ready for a supreme eSports event.

In 2D, 3D, CG, Comics, Digital Media, Games, People, Short Films, Technology | ANIMATIONWorld, Headline News | Geographic Region: All

Sunny Days Return to Hala Headline News

RSP Reignites the Sun in Marvel Studios' ‘The Marvels’

The VFX studio tackled numerous large digital assets, creating the planet Hala and its vast city, taking it from brilliance to ruins, with the Sun’s initial luminous implosion and, ultimately, its miraculous rebirth.

In Acting, CG, Films, People, Visual Effects | Headline News, VFXWorld | Geographic Region: All

VFX for television Headline News

Rising Sun Sets Sail with ‘One Piece’ VFX

The visual effects studio delivered 170+ shots for Netflix’s adventure series based on Eiichiro Oda’s popular manga, creating an array of CG naval and pirate ships, adding water and wind to fill the sails and set extensions to seamlessly integrate with the live-action.

In 3D, CG, Comics, Digital Media, People, Television, Visual Effects | Headline News, VFXWorld | Geographic Region: All

TV VFX Headline News

Rising Sun Pictures Lights Up ‘Miss Minutes’ in ‘Loki’ Season 2

The VFX studio animates Disney+ series’ AI-driven character’s sinister transformation from friendly to deranged, delivering more than 125 shots, while also creating Loki’s green energy blasts and a digital extension to represent a blighted, working-class section of Chicago.

In 3D, CG, Digital Media, People, Television, Visual Effects | Headline News, VFXWorld | Geographic Region: All

Feature Film VFX VFXWorld

Scanline VFX Creates the Perfect Storm in Netflix’s ‘NYAD’

VFX Supervisor Dann Tarmy breaks down his team’s extensive use of water sims, including how they tackled the huge, new challenge of replacing water in plates where the actor was shot in the water, on Netflix’s biographical sports drama of marathon swimmer Diana Nyad’s attempts to swim from Cuba to Florida.

In 3D, Acting, CG, Digital Media, Films, People, Technology, Visual Effects | VFXWorld | Geographic Region: All

A Chicken and a Pig Go Into a Bar VFXWorld

The Perfectly Imperfect VFX of ‘Poor Things’

For Simon Hughes and his Union VFX team, Yorgos Langthimos’ dark comedy, a stunningly designed visual maelstrom, required something completely different from a typical VFX project, including odd, surgically created hybrid animals using as much actual footage as possible, integration of plates shot with 3 different film stocks, 11 enormous wrap-around LED screens, 50s style painted backdrops, and some really crazy colored skies.

In 3D, Awards, Books, CG, Festival, Films, People, Previs/Postvis/Visualization, Technology, Virtual Production, Visual Effects | VFXWorld | Geographic Region: All

A Message of Tolerance and Love ANIMATIONWorld

‘Pacemaker’: A Trans-Positive Story of Hope and Acceptance

Christopher Lennertz’s 3DCG heartfelt short about a grandfather’s journey to understand his grandson’s message of love and pride stars 2023 Tony Award winner Alex Newell, the first-ever non-binary actor to win a Tony, and multi-Grammy Award winner Philip Lawrence, with ‘Nimona’s ND Stevenson serving as executive producer.

In 3D, CG, Digital Media, Music and Sound, People, Short Films, Technology, Voice Acting | ANIMATIONWorld | Geographic Region: All

A Different Angle to a Traumatic Historical Event ANIMATIONWorld

‘Letter to a Pig’: Traumatic Memory Through the Eyes of Youthful Imagination

Filmmaker Tal Kantor’s first solo short film uses live-action and hand-drawn animation to tackle the heavy and complex subject of a Holocaust survivor addressing a classroom full of students, sharing a letter he wrote to the pig who saved his life, and how reality, memory, and imagination blend together in one young schoolgirl’s reaction.