The award-winning entertainment company launches a new Vancouver office led by Emmy-nominated head of 2D Michael Porterfield, who joined the company last summer.
The 30-year VFX veteran’s experience and leadership tapped to cultivate creativity and maximize efficiency of Vancouver-based team.
With the rallying cry, ‘Oh f*ck, it’s Peacemaker!” streaming giant greenlights action-adventure-comedy series that explore the origins of character Cena plays in upcoming ‘The Suicide Squad’ film, a man who believes in peace at any cost, including lives.
Veteran visual effects and CG supervisor with 25+ years’ experience joins studio’s senior creative team.
Company expands its APAC footprint with two industry veterans who will lead the studios’ new regional visual effects operation.
With the MCU ‘Infinity Saga' now complete, the studio shares a 10-year visual history of their extensive previs, postvis and techvis work on the famed franchise.
Registration now open for conference in Los Angeles running July 28 - August 1.
U.K.’S largest animation festival returns for fourth year at Manchester’s HOME.
All five Oscars best visual effects nominees used software made by the company, whose employees also were honored by the Television Academy and at the Sci-Tech Awards.
Group of 20 nominees draws on two decades of experience and technological advances, delivering shots that were previously unimaginable.
Academy governors Richard Edlund and Bill Kroyer weigh in on how to acknowledge and reward the growing number of stellar CG character performances.
All five nominees for best visual effects for the past 10 years have used the company’s Quadro GPUs to create their work.
Leading up to March 4th, use our handy guide to catch up and keep up with AWN’s coverage of the films and creative teams nominated for Best Visual Effects at the 90th Academy Awards.
Studio entries ‘Boss Baby,’ ‘Coco’ and ‘Ferdinand’ face off against indies ‘The Breadwinner’ and ‘Loving Vincent’ for the Best Animated Feature Oscar.
Winners in 24 categories will be announced Feb. 13 at a gala awards ceremony at the Beverly Hilton Hotel.
Visual Effects Branch’s Executive Committee narrows down the list to 10 films that will be voted on for nominations for the 90th Academy Awards.
VFX Branch’s executive committee will the list down to 10 films that will be voted on for nominations.
Framestore VFX supervisor Kyle McCulloch shares how Mrs. Potts, Lumiere, Cogsworth, Cadenza and Garderobe were brought to life in Disney’s hit live-action remake of the classic 1991 animated feature.
Supervisor James Baker leads the studio’s previs, techvis and postvis efforts on their second ‘Guardians’ and 11th Marvel film collaboration.
Michael Bay’s ‘Transformers: The Last Knight’ tops the box office both at home and abroad; director Patty Jenkins’ ‘Wonder Woman’ becomes top-grossing woman-directed live-action film of all time.
Vancouver and Los Angeles facilities deliver 550 VFX shots for the latest Marvel blockbuster, including key CG character sequences with Rocket and Baby Groot, large-scale destruction and spaceship crashes, environment design, and more.
Pixar Animation Studios threequel makes $53.5 million for its domestic debut to beat director Patty Jenkins’ super hero movie; ‘Wonder Woman’ on track to overtake ‘Mama Mia!’ as the top-grossing female-directed live-action film of all time.
Production VFX supervisor Christopher Townsend integrates the work of artists from around the world to wow audiences with Ego the Planet and other new digital characters in Marvel’s latest sci-fi action adventure hit.
Warner Bros. tentpole feature launches new franchise with $225.6 million global bow; DreamWorks Animation’s ‘Captain Underpants: The First Epic Movie’ makes $23.5 million debut.
The New Zealand studio tackles 600 shots including the Final Battle, Ego, Rocket, Baby Groot and a host of explosions in Marvel’s latest sci-fi action adventure.
