From soaring Googie architecture to fabulous terrazzo flooring, production designer Ralph Eggleston, visual designer Philip Metschan, shading art director Bryn Imagire, and sets supervisor Nathan Fariss join forces to create the incredible world of director Brad Bird’s ‘Incredibles 2.’
On the 65th anniversary of the 1953 animated classic, AWN’s resident ‘Miscweant’ speaks with Kathryn Beaumont, the voice of Wendy in Disney’s ‘Peter Pan.’
Stop-motion wizard Patrick Bouchard (2018's 'Le Sujet'/'The Subject') thinks back on his 2002 debut film, 'The Brainwashers.'
Production VFX supervisor Dan Glass doubles down on the creation of a more unified Colossus with simultaneous facial capture and voice performance, and geometry-based character animation.
Adam Elliot (Mary and Max) winner of many shiny trophies and a few envelopes of cash answers today's deeply existential queries to help guide you through the rough seas of daily life.
The DreamWorks TV Animation veteran artist talks about her different approaches to character and conceptual design projects, the dynamic of realizing a strong director’s vision, such as Genndy Tartakovsky, and challenges she faced on shows such as ‘Samurai Jack.’
Method VFX supervisor Greg Steele oversees delivery of 430 shots for the culmination of the Marvel Cinematic Universe, including upgrades for Rocket and Groot featuring hand-keyed character animation.
The indie director discusses her animated film project performed with live music, her residency at the Open Workshop in Viborg, Denmark, and her feelings about artistic inspiration and choice of technique.
Weta Digital and Digital Domain transform Josh Brolin’s motion capture performance into a believable and imposing CG adversary.
Twenty-five years since leaving his native country of Brazil, DreamWorks Animation head of story Ennio Torresan is actively pursuing projects with a Brazilian flavor.
REWIND’s head of partnerships talks about how AR, VR and immersive media technology are impacting people’s scientific and creative engagement with the world around them, as well as her work with UK-based Unfold Inclusion promoting gender diversity in the technology industry.
The studio’s co-founder discusses their most recent animated feature, ‘Early Man,’ sharing insights on Oscar-winner Nick Park’s writing and directing process and how more and more CGI is integrated into stop-motion filmmaking.
From crafting a story around the musings of a five-year-old to employing an aging technical pipeline, no filmmaking challenge is too big for Hertzfeldt.
The creator of ‘Kubo and the Two Strings’ teases his new animated feature film at SPA, shares his insights on the difficulties of the creative process, and gives advice for young artists looking for a career in the industry.
Jack Wedge opens up about the frustrations and challenges he faced while making his short take on modern love, 'Tennessee' (2017)
The Oscar-winning director and studio co-founder shares his insights on the animation industry, what inspires and drives him, as well as what advice he has for young professionals.
Voice-over artist Tara Strong steps into the shoes of the legendary June Foray for Amazon Prime Video series ‘The Adventures of Rocky & Bullwinkle.’
The legendary Australian animator, Dennis Tupicoff, sits down for some short and not so magnificent questions.
TTF previs creative director Joshua Wassung, previs supervisor Todd Constantine, and storyboard head Doug Lefler collaborate with director Steven Spielberg on a host of visual gags for the sci-fi feature’s complex race scene.
The Oscar-nominated director talks about his work on Fox’s multiple Emmy Award-winning hit series, some of the show’s history as well as his new feature film in production with Wink Animation.
The veteran designer discusses her work creating the riveting sounds of White Walkers and dragons on HBO’s hit action-adventure series.
Complementing the 12-foot tall purple villain created by Weta Digital for action-packed fight sequences, Digital Domain employs proprietary tool Masquerade using new machine-learning algorithms to deliver emotive performances from the CG character.
Ross Hogg talks about his newly (online) released short, Life Cycles (2017), a stellar and blunt depiction of modern monotony.
Nina Paley (Sita Sings the Blues), whose latest feature Seder-Masochism is set to screen at Annecy, has some concerns, dreams and tingles.
The creator and visual supervisor discusses his world-building and design work on the upcoming VFX-driven Netflix Original Series.
