WATCH: Esben Toft Jacobsen Talks Post-Apocalyptic Series ‘The Rain’ and More at FMX 2018
The creator and visual supervisor discusses his world-building and design work on the upcoming VFX-driven Netflix Original Series.
The creator and visual supervisor discusses his world-building and design work on the upcoming VFX-driven Netflix Original Series.
The legendary industry pioneer shares his insights as an artist, director, visual effects supervisor and survivor, including thoughts on digital character performance and conflicts with studio executives.
AWN’s resident “Miscweant” has a dog day afternoon with the voice, writing and directing talent behind the new stop-motion animated feature from Wes Anderson.
More than 60 years separate these animated films featuring Wes Anderson and Walt Disney’s very different takes on man’s best friend.
The 2018 edition of Anima Brussels was an exceptional mixture of special events and competition screenings. First and foremost was the salute to Estonian animation in honor of the 100 year anniversary of the independence of the Republic of Estonia.
At long last, AWN’s resident Miscreant returns to writing about animation – in particular, two recent features, From China and Japan, that couldn’t be more different.
The CTA’s annual Consumer Electronics Show once again displayed, center stage, the future of technological innovation.
The Oscar-winning director details the exhausting and exacting oil painting on canvass stop-motion technique he used for his latest animated feature about Vincent van Gogh.