Company follows up this past February’s purchase of webtoon producer Copin Communications with new deal execs are confident will bring the company’s cartoon creators further into the international marketplace, putting them in better position to negotiate IP deals.
The film adaptation of ‘First Blood’ author David Morrell’s novel of the same name marks the feature directorial debut of Marc Klasfield.
Screenwriter/author Peter S. Beagle and producer Michael Chase Walker be on hand for a Q&A at the David Geffen Theater showing of the classic 1982 animated fantasy.
After months of negotiations, the 2021-2024 Animation Guild Master Agreement gets ratified with overwhelming support and a historic voter turnout.
The official announcement will be made June 16 at a special Nickelodeon and Paramount Animation presentation at Annecy 2022; the animated musical is slated for a December 2024 release.
For creator and writer Aaron Blabey, the DreamWorks Animation film, like his award-winning book series, shows how chaotic and complex relationships between characters highlight the humanity in all of us; now available on Digital.
Blair Butler, a seasoned horror screenwriter who also produced Hulu and Marvel’s ‘Hellstrom’ series, is working on a new version of the script.
50th Annual ceremony, recognizing the best in the field of animation, returns in-person to UCLA’s Royce Hall; Deadlines, Rules, and Categories to be announced September 12.
New deal includes retroactive wage increases, gains for animation writers, and the addition of Martin Luther King, Jr. Day as a covered holiday.
For writer Charlie Kelly, May 8th’s episode, about Ham wanting to redo his ‘being gay’ announcement to elicit a more ‘theatrical’ reaction, shows that the unconditional love of family, however uneventful, makes for the best ‘reveal’ anyone could ask for.
Co-creators Kate Purdy and Raphael Bob-Waksburg’s groundbreaking, rotoscope animated drama, about a young woman trying to harness her newfound time traveling skills and unravel her father’s murder - with his help – is back with more mind-bending episodes.
Under his newly formed ‘Frank Miller Presents’ banner, the widely influential creator will deliver new installments of his iconic series, as well as fresh visions from up-and-coming artists.
Studio CEO and president Travis Knight will direct the stop-motion feature, a gritty neo-noir folktale centered on a young man in rural Missouri fighting to keep his family together in the wake of a tragedy.
Cartoon Network’s popular series about two millennial bird women wins out over ‘The Simpsons,’ ‘Bob’s Burgers’ and ‘Family Guy’ at Sunday’s virtual ceremony.
The two features add to their winning streaks, with the Disney+ animated series nabbing the award for Best Animated Series (TV), at last night’s ceremony.
Joanna Quinn and Les Mills’ comedy about a larger-than-life Welsh housewife takes home three awards; Locksmith Animation’s tale of an awkward middle-schooler and his defective robot takes home Best Longform honors.
Under the agreement, ‘The Proud Family: Louder and Prouder’ director will develop animation and live-action content for Disney Television Animation and 20th Television Animation.
Join the virtual conversation with the creative team behind the studio’s new animated feature; the free March 18 event is hosted by the VIEW Conference in partnership with OGR.
Sometimes a little disruption is just what you need.
The prolific ‘Game of Thrones’ author says his partnership with the comics giant ‘brings me no end of joy.’
The Oscar-winning ‘Incredibles’ and ‘Ratatouille’ director will reunite with former Pixar head John Lasseter to helm what looks to be the studio’s biggest production yet.
The spinoff, set 50 years after the events of ‘Blade Runner 2049,’ has a pilot and bible ready to go, with series stalwart Ridley Scott attached to executive produce and possibly direct.
The Pulitzer Prize-winning cartoonist will co-write and executive produce the new series along with Miramax, Spyglass and Project X, with animation produced by Bento Box.
2022 program adds additional artist spot while expanding curriculum to include peer mentoring; the highly successful 2021 program saw artist participants staffed across Nickelodeon productions with all writers staffed across ViacomCBS.
A pioneer for women in animation, the trailblazing funny lady began her career in the ‘90s, becoming one of very first women in the writer’s room; she worked on numerous series as a script writer including ‘Daria,’ was senior editor of ‘Nickelodeon Magazine,’ and her illustrations were seen in ‘Redbook’ and ‘The New York Times.’
