VFXWorld and AWN break down the 10 shows nominated for Outstanding Special Visual Effects and Outstanding Special Visual Effects in a Supporting Role, and the studios behind their spectacular visuals.
Led by Robert Bock, the studio delivered over 700 shots, including four robots, a mechanical arm, and numerous environmental elements, on the Amazon Prime Video neo-futurist semi-anthology.
For VFX supervisor Louis Morin, Tom Harper’s wild ride through the skies of 1862 London was a journey filled with live-action shoots, stunts, digital doubles and one super-cold sound stage.
Based on almost 3,500 entries from artists in 89 countries, 120 industry experts used a variety of criteria to award schools on how well they prepare students for careers in creative media and entertainment.
The ASWF, an open source software development group launched last year that promotes growth and innovation in the motion picture community, announces three new member companies.
Winners of competition for aspiring design and media entertainment artists selected from over 3,400 entries representing 89 countries.
VFX supervisor Phil Brennan describes the making of Jean Grey’s cosmically altered telekinesis, her childhood car crash, an enhanced Cerebro and the 3rd act prison train.
9th annual Rookie Awards call for entries is open to all amateur creatives in VFX, animation, games, VR, motion graphics and 3D visualization.
VFX producer Kimberly Nelson LoCascio wrangles two VFX supervisors and multiple VFX houses to help deliver more than 2,300 visual effects shots for director James Wan’s take on the DC Comics super hero.
A magical trident holds the key for half human, half Atlantean Arthur Curry to unite the worlds of above and below in Warner Bros’ epic undersea action-adventure.
First glimpse of live-action remake promises a faithful and visually enticing reimagination of beloved animated classic.
VFX supervisor Alexandre Lafortune and his team create griffins, automatons and a mystical time piece at the very heart of Eli Roth’s magical adventure.
Johnny Depp, in character, joins Eddie Redmayne and Jude Law to tease ‘Harry Potter’ fans with Hall H presentation.
Presentation on Warner Bros. upcoming action-adventure, featuring Jason Momoa as the aquatic DC Comics superhero, rocks the Hall H audience.
Montreal-based studio’s work on the hit HBO series earned a VES Award for the wall destruction sequence in the season finale.
Studio created complex sequence in which the beloved bear is trapped underwater.
VFXWorld takes a closer look at the Oscar-nominated effects that brought the biggest version of King Kong ever to the big screen.
Conference also has put online the second in its ‘Behind the Beard’ trailer series.
Montreal VFX studio collaborates on sequel to classic family film.
From digital signage and sci-fi cityscapes to a completely remade Las Vegas locale, Rodeo FX delivers 75 visual effects shots for the sequel to Ridley Scott’s classic 1982 feature film.
Facility will be the VFX house’s first in Europe.
Fantastic visuals and creativity are overpowered by a poor script and lifeless acting.
Montreal studio is nominated for its work on ‘Game of Thrones’ Season 6 and ‘Black Sails’ Season 3.
Montreal-based visual effects studio delivers 126 VFX shots for Harry Potter spinoff, including many featured creatures and their environments, the magical reconstruction of a destroyed room, and the elaborate MACUSA wizard headquarters.
Vancouver-based VFX house bolsters artistic leadership with visual effects supervisor Thomas Schelesny, visual effects producer Tara Conley, and digital environment supervisor Damien Thaller.
