The studio produced over 300 VFX for Taika Waititi and Marvel Studio’s latest MCU action-adventure, including the film’s impressive opening and closing sequences.
Production VFX supervisor and cat enthusiast Jake Morrison talks lighting breakthroughs, VR magic, how to differentiate your shadow creatures, and how to make a dumpling god – all in a day’s work on Marvel Studios’ fourth outing in the Norse god franchise, now playing in theaters.
Company veteran succeeds Sebastien Bergeron, recently named CEO of the parent company that also owns FuseFX, Rising Sun Pictures, and El Ranchito.
Industry leaders join the software giant to provide insights on modern production challenges; sessions include ‘Emerging Trends in M&E: What Students Need to Know,’ ‘Bringing the Characters of ‘Magic: The Gathering’ to Life,’ and ‘Modeling Madness: Experimenting in 3ds Max.’
The co-founder of recently acquired VFX studio FOLKS will succeed David Altenau, who’ll become Chairman of the parent organization that also includes FuseFX and Rising Sun Pictures.
Previous head of LA studio and global VP of production will lead biz development group and continue focusing on the company’s expansion.
Leading VFX studio creates the mythical Great Protector dragon, demonic Dweller-in-Darkness, and an army of little demons for Marvel Studios’ first film to feature an Asian super hero.
The VFX studio delivers 237 shots, including the adorable, faceless, and furry four-winged Dijiang sidekick, in Marvel Studios’ first Asian super hero film.
Studio delivers nearly 300 shots depicting the village of Ta Lo and its lush, expansive jungle environs that included mountains, ancient forests, lakes, and rice paddies, along with a huge amount of natural looking vegetation, on Marvel Studios' first film to feature an Asian super hero.
Company opens new facility in Saguenay to capitalize on increased visual effects demand in Québec; move expected to create 60-70 new jobs.
Studio delivers more than 100 VFX shots, focusing on the photorealistic rebuild of Chicago’s notorious public housing complex circa 1992, as well as the ghostly killer’s prosthetic hand, Nia DaCosta and Jordan Peele’s spiritual sequel to the 1992 cult horror classic.
This summer’s hit comedy adventure stars Dwayne Johnson and Emily Blunt in a thrilling journey through the Amazon to find an ancient tree said to cure illness and injury; based on Disneyland’s ‘Jungle Cruise’ ride, the film hits 4K Ultra HD, Blu-ray and DVD on November 16.
Coming July 30, the epic adventure down the Amazon, inspired by the Disneyland ride, also stars Emily Blunt, with VFX by ILM, DNEG, Weta Digital, Rising Sun Pictures, Rodeo FX, and UPP; see the trailer and Johnson announce his role in the film.
Leading VFX company continues its expansion efforts with purchase of Australia-based high-end visual effects studio; combined companies will have close to 800 artists in eight locations around the globe.
Studio’s business growth enhanced by Australia’s strong COVID-19 response, generous government incentives, and Australia’s PDV offset; creative team to top 225 at Adelaide location.
South Australia’s booming movie industry has created a demand for skilled VFX artists; RSP and University partner to train and provide home-grown talent to bolster burgeoning industry.
Free sessions spotlight the latest CG technology, trends, and techniques as well as practical discussions about navigating a changing industry in the shadow of the global pandemic.
Adelaide, South Australia-based VFX production house today marks 25 years creating visual effects for some of Hollywood’s biggest films.
Mike Chambers returns for his sixth term as committee chair.
Led by VFX supervisor Dave Morley, the studio delivered more than 700 shots for James Mangold’s faithful and exciting depiction of the famous 1966 24 Hours of Le Mans.
VFX studio builds photoreal replica depicting famous ’24 Hours of Daytona’ racetrack for James Mangold’s thrilling historical auto racing drama.
Australian studio tackles 100 shots on Marvel’s hit superhero action-adventure sequel to ‘Spider-Man: Homecoming.’
VFX supervisor Phil Brennan describes the making of Jean Grey’s cosmically altered telekinesis, her childhood car crash, an enhanced Cerebro and the 3rd act prison train.
Veteran compositing supervisor brings with her more than 40 movie and TV credits including ‘Ghostbusters,’ ‘The Jungle Book,’ ‘X-Men: Days of Future Past’ and ‘Avatar.’
Adelaide, South Australia-based studio delivers hundreds of complex VFX shots for the latest addition to the Marvel Cinematic Universe.
