Manny, Diego, Sid and Scrat Return in ‘Ice Age: Collision Course’
Director Mike Thurmeier and producer Lori Forte discuss Fox Animation and Blue Sky Studios’ fifth installment of their storied animated action-comedy franchise.
Tagged With: motion pictures
Review: ‘Phantom Boy’
Alain Gagnol and Jean-Loup Felicioli, the writing and directing team behind ‘A Cat in Paris,’ do a lively job of assembling many familiar elements into a unique picture.
Laika Studio Site Visit: ‘Kubo and the Two Strings’
Low-profile Portland studio houses unique collection of technophiles working alongside luddites, all eclectic artists who together produce beautifully idiosyncratic stop-motion feature films.
In CG, Films, People, Places, Stop-Motion | ANIMATIONWorld | Blogs: The Miscweant | Geographic Region: All
Jay Redd and the Complex VFX of ‘Alice Through the Looking Glass’
Veteran Sony Pictures Imageworks VFX supervisor discusses Disney’s latest fantasy-adventure, the largest and most sophisticated project of his career.
Chris Renaud Talks ‘The Secret Life of Pets’
Veteran Illumination Entertainment director shares his insights on their brand-new animated feature hitting theatres internationally today.
Cantina Creative Goes HUDs Up for ‘Captain America: Civil War’
VFX supervisor Alan Torres explains his studio’s work on key UI and HUD displays for Marvel’s latest action-adventure feature.
In CG, Films, Motion Graphics, People, Technology, Visual Effects | VFXWorld | Geographic Region: All
Precision Warfare: The Third Floor Visualizes ‘Captain America: Civil War’
TTF previs and postvis supervisors Gerardo Ramirez and Austin Bonang discuss key fight sequence visualization efforts on Marvel’s hit superhero feature.
Clay Kaytis Talks ‘The Angry Birds Movie’
Veteran Disney animator and first-time director discusses his experiences helming Sony Pictures and Rovio Animation’s hotly-anticipated animated feature film.
Adam Valdez Talks ‘The Jungle Book’
MPC VFX supervisor describes the studio’s innovative efforts handling 1200 shots alongside Rob Legato on Disney and Jon Favreau’s blockbuster family adventure hit.
In CG, Films, People, Previs/Postvis/Visualization, Stereoscopic 3-D, Technology, Visual Effects | VFXWorld | Geographic Region: All
Luma Pictures Gears Up for ‘Captain America: Civil War’
CG supervisor Oded Raz and assistant VFX supervisor Jared Simeth discuss the making of Iron Man’s new glove, the Stark Protective Gauntlet, and other visual effects work the Santa Monica-based studio handled on Marvel’s latest super hero blockbuster.
Unbearable Cuteness and Sadness Collide in ‘Finding Dory’
Director Andrew Stanton and producer Lindsey Collins’ honest yet sensitive approach to Baby Dory’s traumatic back story both enriches and grounds Pixar’s poignant new film.
Review: ‘Warcraft’
Director Duncan Jones’ adaptation of Blizzard Entertainment’s epic game universe lays down a solid foundation for the franchise’s cinematic future.
Duncan Jones Talks ‘Warcraft’
Director discusses bringing Blizzard Entertainment’s hit gaming franchise into the realm of feature films.
In CG, Films, People, Previs/Postvis/Visualization, Visual Effects | VFXWorld | Geographic Region: All
Staying in Focus: Rob Legato Talks ‘The Jungle Book’
Oscar-winning VFX supervisor breaks down his work designing and filming Jon Favreau and Disney’s hit action-adventure feature.
Deluxe's Method Studios Does Damage Control on ‘Captain America: Civil War’
VFX supervisor Greg Steele walks us through Iron Man, Cap and the Winter Soldier’s final fight in Marvel’s hit action-adventure.
The Ultimate Sidekick Finally Discovers Herself in Pixar’s ‘Finding Dory’
For director Andrew Stanton and producer Lindsey Collins, ‘Finding Nemo’s eternally upbeat memory-impaired blue tang fish has a compelling and important journey of her own worth sharing.
Review: ‘April and the Extraordinary World’
GKIDS latest prize-winning European acquisition is hardcore steampunk that doesn’t disappoint.
Ronnie del Carmen Might Be the Hardest Working Man in Storytelling
Co-director of Pixar’s Oscar-winning animated feature ‘Inside Out’ discusses the “Pixar Way” of patience and trusting the process.
Gender Politics and 'Batman v Superman'
Can’t we just dislike superhero films because of their mind-numbing VFX rather than their misogynistic misuse of metaphorical phalluses and vaginas?
In Films, Interactive, Visual Effects | ANIMATIONWorld, VFXWorld | Blogs: 10 Till 6 | Geographic Region: All
Jonathan Rothbart Talks the VFX of ‘Deadpool’
Overall VFX supervisor helps director Tim Miller create Marvel’s snarky badass superhero hit.
Andrew Whitehurst Talks Oscar Gold and ‘Ex Machina’
Overall VFX supervisor dishes on his stunning Academy Award win for best achievement in visual effects on Alex Garland’s sci-fi thriller.
In CG, Films, People, Visual Effects | VFXWorld | Special Events: Academy Awards | Geographic Region: All
Alessandro Carloni Talks ‘Kung Fu Panda 3’
Veteran animator and story artist discusses the challenges of helming DreamWorks Animation’s latest hit in the ‘Kung Fu Panda’ feature film franchise.
Never a Dull Moment: Paul Kavanagh Talks ‘Star Wars: The Force Awakens’
ILM animation supervisor discusses the wide range of complicated shots that kept his team scrambling for two years on J.J. Abrams’ blockbuster sci-fi action film.
In CG, Films, People, Production, Technology, Visual Effects | ANIMATIONWorld, VFXWorld | Geographic Region: All
Review: ‘Boy & the World’
The best way to watch ‘Boy & the World’ is to think of it as a non-narrative exercise and just enjoy the visuals.
