With a 'snap,' Weta Digital helps brings closure to both Josh Brolin’s seemingly unstoppable villain and the foundational storyline from the MCU’s first 10 years.
Studio delivers 300 VFX shots, including never-before-seen Bruce Banner / Hulk hybrid, for Anthony and Joe Russo’s box office smash ‘Infinity War’ follow-up.
Acclaimed creature FX studio co-produced and created puppets, prosthetics, animatronics and more for the Netflix feature.
First project for new Munich CG animation studio will be third ‘Maya the Bee’ franchise film
Network releases statement saying it is no longer involved with the project.
Call was expected after network put production on hiatus in November after the comic confessed to sexual misconduct.
Animal Logic animation director Matt Everitt, FX supervisor Miles Green and CG/VFX supervisor Greg Jowle discuss the unique challenges of crafting ‘The LEGO Ninjago Movie.’
Newly-launched festival hosts the U.S. premiere of The Weinstein Company’s ‘Leap,’ along with a presentation from animation director Ted Ty of L’Atelier Animation.
Executive producer Matt Thompson and art director Chad Hurd share artwork and behind the scenes production insights into the highly-stylized Season 8 visual redesign.
Season 8 may be just a hard-boiled film noir private eye thriller, but Mother’s a crime boss, Pam might be a man and all hell is surely gonna break loose.
Along with a slew of VFX breakdown videos and images, ‘Piper’ supervising technical director Brett Levin details the tools and techniques employed on director Alan Barillaro’s Oscar-nominated CG short.
Acclaimed creature effects studio currently in production on special effects for ‘Underworld: Blood Wars,’ ‘ Legion,’ ‘The Expanse’ and ‘Prison Break.’
Working alongside production VFX supervisor Erik Nordby, MPC VFX supervisor Pete Dionne and VFX producer Tomi Nieminen oversaw a team of around 600 artists to create more than 1,100 shots for director Morten Tyldum’s space adventure.
Led by VFX supervisor Andrew Morley, Cinesite delivers just under 100 shots for ‘Fantastic Beasts and Where to Find Them,’ including environments of prohibition-era Manhattan, set extensions and the creation of a magical dinner.
Sky Cinema enlists production company Blinkink and visual effects specialists nineteentwenty to deliver their Christmas movie premieres in one seamless winter wonderland.
Award for Outstanding Animated Program goes to FX’s Archer; ‘Robot Chicken Christmas Special: The X-Mas United’ wins Outstanding Short Form Animated Program; Seth MacFarlane wins award for Outstanding Character Voice-Over Performance for FOX’s ‘Family Guy.’
Nominations for Outstanding Animated Program are given to FX’s ‘Archer,’ Disney’s ‘Phineas and Ferb Last Day of Summer,’ Comedy Central’s ‘South Park’ and Fox TV’s’ Bob’s Burgers’ and ‘The Simpsons.’
Hit animated comedy series returning with three eight-episode seasons; FX Networks reaches new overall deal with Floyd County Productions.
Producer Neil Holman and art director Chad Hurd detail the limited but highly stylized animation techniques they wield to devastatingly hilarious effect on their hit FX animated series.
FuseFX’s offices in Los Angeles, New York and Vancouver provide VFX services for six new hit series for CBS, FX, NBC, PBS and Syfy.
VFX supervisor Ted Rae and team currently creating visual effects for season three of FX’s jihadist war drama.
Voice stars of Illumination Entertainment’s ‘The Secret Life of Pets’ are co-creating, co-writing and providing the two lead voices for an untitled animated pilot for FX.
Cable network calls off plans for animated comedy series from ‘Archer’ creator and executive producer Adam Reed.
Marvel Television to co-produce pilot with FX Productions; Noah Hawley to write pilot screenplay and serve as exec producer.
Cartoon Network wins big at the 2015 Creative Arts Emmy Awards with ‘Over the Garden Wall’ and ‘Adventure Time’; HBO’s ‘Game of Thrones’ and FX’s ‘American Horror Story: Freak Show’ win in the VFX categories.
