Animation duo Mike Anderson and Ryan Dickie’s 10-minute animated short taps Unreal Engine 5 for a post-apocalyptic adventure set 1,000 years in the future, where dance is violent, everything is hot… and no one is safe when the beat drops; film joins the network’s other original short-form content commissioned from emerging animators and comedic voices from around the world.
Watch Mike Anderson and Ryan Dickie’s latest animated collaboration - created with real-time tools including Unreal Engine - set 1,000 years in the future; their film joins the network’s other original short-form content commissioned from emerging animators and comedic voices from around the world.
Experiencing life as the underdog - an outsider - teaches us empathy and a greater understanding of ourselves, our loved ones, and the critical connections that bind us together.
Director Byron Howard, director/co-writer Jared Bush, co-director/co-writer Charise Castro Smith, and producers Yvett Merino and Clark Spencer offer their filmmaking insights on Disney’s new computer-animated musical, now in theaters.
For Renato do Anjos, Kira Lehtomaki, and Lorelay Bové, early attention to culturally authentic details in design and movement made for a unique, magically expressive family, and house, in Disney’s enchanting, animated musical, coming to theaters Wednesday, November 24.
Also coming to all major digital platforms, the live-action / animated hybrid fairy tale features a modern twist on the classic ballet; part of #PBSForTheArts, the film will be presented November 26 on PBS platforms.
For the director of the studio’s vibrant and lively new 7-minute film, now playing theatrically in front of ‘Raya and the Last Dragon,’ yearning for what you had in the past can prevent you from enjoying what you have in the present.
Combing animation with ballet, the live-action hybrid film is a modern retelling of a love story between Swan and Franz; ballerina Michaela DePrince leads an impressive ensemble of international dancers.
Oscillations' visceral, philosophical and provocative approach to immersive media.
When do slow-moving, highly controlled choreographies approach animation?
