The premier conference and exhibition on computer graphics and interactive techniques runs August 6-10 in Los Angeles and online.
A gathering of the international animation scene since 1982, the festival returns to Stuttgart, celebrating 30 years.
The annual festival returns to Annecy June 9-15, 2024.
Dedicated to Mifa content, the market’s new venue runs June 13-16 with masterclasses, recruitment sessions, and talks; patrons this year include Guillermo del Toro, Nora Twomey, Marguerite Abouet, Masaaki Yuasa, and Jorge R. Gutierrez.
The 4-day hybrid event returns to Stuttgart April 25-27 with an exclusive online day April 28; confirmed presentations include the creative and technical journey of Netflix’s ‘1899’ and Digital Domain’s use of Charlatan, its neural network for ‘deep fake’-like face replacements on Disney+’s ‘She-Hulk: Attorney at Law.’
How far have we come? In a just released report, The Center for Scholars & Storytellers, BRIC Foundation and the Concept Art Association explore the race/ethnicity and gender identity of concept and visual development artists across animation, live-action, games, series, and movies/feature films.
Dr. Meike Lauggas will speak about #we-do!, an organization that provides contacts and counseling for filmmakers who have endured abuse of power, discrimination, sexual assault and labor law violations, organized by the Keep Festive collective working to help festival organizers prevent discrimination and harassment.
Based on 63,000+ digital media submissions created by 4000+ students, the downloadable report names New3edge in France as #1 in the 50 top international schools list, with Savannah College of Art and Design in the U.S. ranking #2.
The final 8 shorts from the HBO Max x Warner Bros. Discovery Access Animated Shorts Program will stream March 23 as episodes in the Max original series ‘Only You: An Animated Shorts Collection.’
Out of 192 worldwide applicants from 74 schools around the world, 15 students were awarded scholarships, with an additional 25 receiving honorable mentions.
Join the free March 1 online discussion with the directors of ‘Guillermo del Toro's Pinocchio,’ ‘Marcel the Shell with Shoes On,’ ‘Puss in Boots: The Last Wish,’ ‘The Sea Beast,’ and ‘Turning Red.’
Programs align with ‘Content for Change’ initiative, a commitment to foster inclusive and diverse talent while developing tools needed to launch careers; 4 writers and 8 artists join the annual programs.
Launched in 1982, the Stuttgart International Festival of Animated Film - ITFS - continues to provide a gathering place for the international animation community while acting as a career springboard for young talent; the event runs April 25-30.
Animator, director, character designer, teacher, and writer Nancy Beiman shares Part 1 of her extensive, 2-part, 1979 interview with famed animator Art Babbitt, whom she met as a 21-year-old Cal Arts student after visiting Richard Williams’ L.A. studio on a dare.
The hybrid edition, focusing on the art, technology, and business of animation, visual effects, and interactive and immersive media, returns to Stuttgart April 25-27 with an exclusive online day April 28.
The longtime industry leader and ASIFA India chapter founder was a key player in building the animation production industry in India, including the setup of the Toonz Academy in Kerala and The Week of the Masters Animation Festival.
Students at the Pearson College school helped deliver more than a dozen shots on the upcoming feature about a retired Irish paramilitary who witnesses an SAS officer’s fatal shooting of his pregnant wife.
Featuring 6 hours of curated training material covering VFX filmmaking, Compositing, Modeling, and After Effects Animation, the VFX Sampler is a superb introduction to the global education program’s comprehensive, degreed, and accredited visual effects instruction.
The 10-minute animated African horror fable by instructors Miguel Ortega and Tran Ma - known as Half M.T. Studios - employed hand-drawn and cutting-edge 3D techniques, with tools like ZBrush and Maya for characters and Substance Painter for texturing, and was rendered exclusively in the game engine.
Hosted by Post New York Alliance (PNYA), the Hollywood Professional Association (HPA), and Fuse Technical Group, the January 26 event will explore how filmmakers can utilize Unreal Engine to enhance their projects, including presentation, speakers, and Q&A.
Curriculum provides interactive instruction for producers to up their skills in team management and client servicing; now enrolling for ‘Flame,’ designed for junior or associate producers, the program begins February 14 – additional courses kick off in June.
An evening of live music with Max Muscato, David Nolf, and Telephone Tag will benefit the organization’s Brainstorm Productions’ animation school for autistic students; show coming February 5 to Hotel Café in Los Angeles.
To support artistic ‘side hustles,’ new initiative features key technology and resources, helping artists up their game; the platform lets artist share their creative journeys - such as CG Geek, who built an intricate 3D world with the help of NVIDIA Studio technologies.
2022 will be remembered as the year that AI came in like a wrecking ball.
The Maxwell/Hanrahan Foundation will fund two fellows at new center based in the Film / Animation / Video department; Cheryl Henson will support a visiting puppeteer.
