Andrew ‘Andy’ Grush and Taylor Newton Stewart jumped from composing for horror director Mike Flanagan to Marvel’s latest animated series, starting with retro synthesizer sounds of the late 80s and early 90s in the show’s first episodes before including more modern instrumentation and techniques, with care placed on the large number of handoffs between scenes that can feel jolting if the music isn’t done right.
Executive producer Craig Schulz, director Raymond S. Persi, and co-writer Robb Armstrong discuss the latest ‘Snoopy Presents’ special in the storied franchise, which tells the backstory of one of the most beloved members of the “gang;” the show debuts February 16 on Apple TV+.
With today’s Apple TV+ debut of ‘One-of-a-Kind Marcie,’ executive producer Craig Schulz and director Raymond S. Persi continue the franchise’s recent focus on lesser-known ‘Peanuts’ characters, this time in a charming, all-new story of the gang’s shy, kindhearted introvert who finally finds her own, unique way to help her friends.
Composer P.T. Walkley talks about the musical side of DreamWorks Animation’s live-action/animated hybrid preschool series, whose new season is now streaming on Netflix.
Director Enrico Casarosa and composer Dan Romer expertly blend 50s-60s pop music with opera and a Felliniesque vibe for a lively, energetic, and emotionally satisfying score; Disney and Pixar’s latest gem premieres today on Disney+.
The BAFTA-nominated composer is known for scoring Ubisoft’s ‘Immortals: Fenyx Rising and Microsoft’s upcoming ‘Halo Infinite.’
