Led by VFX supervisor Matthew Krentz, the studio delivers 253 visual effects shots on Tim Burton’s hit ‘Beetlejuice’ sequel, including baby Beetlejuice, a stop-motion Charles Deetz being bitten by a shark, and the famed ghost’s dismembered ex-wife Delores.
He’s finally here! After all the rumors, conjecture, peeks, teases and furtive glances, we finally get to see the new man of steel, Lois Lane, Lex Luthor… and superpup Krypto! Hitting theaters next summer.
The CG supervisors bring a combined 30 years of international experience at leading studios, with credits on films such as ‘Dumbo,’ ‘Blade Runner 2049,’ ‘Deadpool 2,’ ‘Star Wars: Skeleton Crew,’ ‘Fantastic Beasts,’ and more.
The film franchise’s third installment will now debut on February 14, 2025, taking advantage of the double Valentine’s Day / President’s Day weekend.
Go behind-the-scenes with three-time Oscar nominee and Golden Globe winner Dean DeBlois to get a first glimpse of his passion project, a live-action reimagining of the first film of the studio’s hugely successful animated trilogy that first hit theaters in 2010.
Three-time Oscar nominee and Golden Globe winner Dean DeBlois write, produces and directs the reimagined first film of DreamWorks Animation's hugely successful animated trilogy that first hit theaters in 2010.
We’re loving the battle rhino in the visually stunning, often brutal ancient Roman world of Sir Ridley Scott's Oscar-winning ‘Gladiator’ sequel, coming to theaters November 22.
From previs, techvis, and postvis to a 5,000-frame street fight ‘oner,’ 3rd act Time Ripper disintegration, and our villain’s hand rummaging around a person’s head – think pinkie out the nose – VFX supervisor Matt Twyford, senior visualisation supervisor Kaya Jabar, and their teams delivered some of the most impressive visual effects seen of late on Shawn Levy’s hilarious and bloody new Marvel blockbuster.
Owen’s 15+ years in the VFX industry includes stints at Framestore, MPC, DNEG, and One of Us.
We return to the visually stunning, often brutal ancient Roman world of Sir Ridley Scott's Oscar-winning ‘Gladiator,’ in the long-awaited sequel, coming to theaters November 22.
Marvel Studios Production VFX Supervisor Chris Townsend discusses 'time slipping' and the surprisingly small number of CG shots, and reliance on capturing shots in-camera, in the sophomore season of the hit Disney+ series, which scored a recent Emmy nomination for Outstanding Special Visual Effects In A Season Or A Movie.
Mirror mirror on the wall… the live-action/3DCG hybrid musical reimagining of the classic 1937 film, which stars Rachel Zegler and Gal Gadot as Snow White and the Evil Queen, hits theaters March 21, 2025.
Visual Effects Supervisor Josh Simmonds runs down the many ways in which his team amped the verisimilitude in George Miller’s latest ‘Mad Max’ franchise outing.
Are Lydia Deetz and her rather difficult daughter, Delia, shrunken heading to disaster? Care to ask Bob? Tim Burton and Michael Keaton team up once more in the highly-awaited ‘Beetlejuice’ sequel that finds 3 generations of the Deetz family unexpectedly reunited with the mischievous demon and his particular type of mayhem, hitting theaters September 6.
Visual Effects Supervisor Matt Sloan, handling as much in-camera as possible so digital effects didn’t overshadow the tremendous stunt work, helped deliver 1,400 VFX shots working with Framestore, Cinesite, Rising Sun Pictures and Crafty Apes, as well as extensive postvis by OPSIS, on David Leitch’s behind-the-scenes ode to stuntmen, starring Ryan Gosling and Emily Blunt.
The long-awaited sequel from Oscar-winning director Ridley Scott continues the epic saga of power, intrigue, and vengeance set in Ancient Rome; coming to theaters November 22.
Based on the bestselling novel by Gregory Maguire and the hugely successful stage musical, Jon M. Chu’s upcoming musical fantasy adventure tells the untold story of the witches of Oz, Elphaba and Glinda; the film now hits theaters November 22.
Tyler Mane snarls into action alongside Ryan Reynolds’ fourth wall breaking ‘Merc with a Mouth’ and Hugh Jackman’s Wolverine in the third installment of the scandalous Marvel Studios franchise; the film hits theaters July 26.
Internal email reveals July 5 closure date, attributing the decision to the industry-wide decline in production following the SAG-AFTRA strikes in 2023.
VFX supervisor Chris MacLean talks about the stunning visuals – 3,215 shots in all - that depict the worlds, characters, ships, and creatures of the hit sci-fi series, based on Isaac Asimov’s famed Hugo Award-winning sci-fi trilogy about Dr. Hari Seldon’s mathematical ‘psychohistory’ predictions; now streaming on Apple TV+.
Creators and co-showrunners Geneva Robertson-Dworet and Graham Wagner, and VFX supervisor Jay Worth, discuss how they integrated 50’s B-Movie Sci-Fi, Spaghetti Western, and Future War tones and designs into their darkly satirical hit series adaptation of Bethesda’s best-selling video game, now streaming on Prime Video.
From an enormous blue guy to talking bananas and slime balls, VFX Supervisor Chris Lawrence and Animation Supervisor Arslan Elver break down their work on John Krasinski and Paramount Pictures’ live-action/3DCG hybrid comedy adventure.
LEGO does some ‘Wicked’ animation because every brick deserves a chance to fly… in the charmingly animated peek at the upcoming musical fantasy adventure that tells the untold story of the witches of Oz, Elphaba and Glinda; the film hits theaters November 2024.
The iconic trickster returns to terrorize the mortal realm, as Tim Burton and Michael Keaton team up once more in the highly-awaited ‘Beetlejuice’ sequel that finds 3 generations of the Deetz family unexpectedly reunited with the mischievous demon and his particular type of mayhem.
Based on the bestselling novel by Gregory Maguire and the hugely successful stage musical, Jon M. Chu’s upcoming musical fantasy adventure tells the untold story of the witches of Oz, Elphaba and Glinda; the film hits theaters November 2024.
