Press reports have attendance at about 10,000, which is extremely low, of course. But, as I previously noted, it's resulted in a very appropriate quaintness. You can tell that the people who have come here are very passionate.
A look at some of the short films from the Evening Theater’s Festival Chair’s Reel.
A breakdown of the Evening Theater’s Jury Chair’s Reel, which included the following shorts.
Naturally Autodesk had some big announcements, including 2010 versions of Maya, MotionBuilder and Mudbox and along with new suites for digital entertainment creation and new education initiatives.
Day 2 of the animation competition kicked off at 9am with a loud drumbeat and Afro Brazilian performers. The sound drew a large crowd in to watch the performances. The animation teams had worked through the night on their films so the very lively dancers lent some much needed energy to the competitors.
Monday nights' Evening Theater began with the introduction of host Miles Perkins, senior staff at Industrial Light and Magic. He kicked off the award ceremony by paving the way for Scott Farrar, visual effects supervisor at Industrial Light and Magic.
SIGGRAPH's Fjorg! competition, created by Patricia Beckmann as an Iron Animator event challenges the competitors to create a short film (15-45 seconds) from concept to finish in the short time span of thirty-two hours. To make the task more demanding, distractions are scheduled throughout the day to entice them away from the film making process.
The buzz so far? Aside from stereoscopic 3-D, GPU for film, with ILM's collaboration with NVIDIA for the amazing fire sim on Harry Potter and the Half-Blood Prince the talk of the show, thanks to the mainstream coverage in The Wall Street Journal and the tech paper and panel on the topic. But more about that later...
Well, there’s been a lot of anticipation and curiosity about SIGGRAPH returning to New Orleans (or Nola), not only since this marks the first major conference since Katrina but also because of the severity of the downturn.
San Diego Comic-Con 2009 continued to astound audiences daily as the Hollywood studios debuted their most prized properties for public consumption. Friday was Disney’s animation showcase day in Hall H - The major coup was Disney/Pixar’s John Lasseter welcoming Japanese Animation legend Hayo Miyazaki to the con for a panel on his upcoming release Ponyo.
The first official day of San Diego Comic-Con 2009 was a doozy for animation and visual effects aficionados, with sneak peeks at the most anticipated 3-D films set to release in the next year. Imagi’s Astro Boy, Disney’s Alice in Wonderland and Tron Legacy, Sony’s Cloudy with a Chance of Meatballs and the mother of them all, James Cameron’s Avatar all debuted footage in 3-D to rapt audiences.
Sorry for writing so late. But yesterday evening I suffered from severe animation illness, information overload and heavy small talk. After seeing the commissioned film program filled with commercials and music videos up to the brink – sitting next to an equally tired Ron Diamond – I hardly reached my apartment and went into dreamland seconds later.
Here we are at last! Welcome to the most fantastic, most exciting and I think "the" animation festival of them all. The 33rd edition of Annecy Festival began today, as always with the great welcome at festival centre Bonlieu next to the big, wonderful lake with the wonderful view on the French Alps.
You know what´s interesting about the fmx?. You stay there in the foyer, in the halls, you have this big accessibility to each and everyone. So I found myself talking to one of the big visual effects designers of this planet.
Renata and Thomas Haegele topped the event from last year and again the numbers of attendees increased. Again more and internationally renowned speakers came to Stuttgart, again for four days the sunny town became animator’s land And that in those dark and gloomy times of worldwide economic crisis. And I did not discover one unhappy face during all those days.
Renata and Thomas Haegele topped the event from last year and again the numbers of attendees increased. Again more and internationally renowned speakers came to Stuttgart, again for four days the sunny town became animator’s land And that in those dark and gloomy times of worldwide economic crisis. And I did not discover one unhappy face during all those days.
You know what´s interesting about the fmx?. You stay there in the foyer, in the halls, you have this big accessibility to each and everyone. So I found myself talking to one of the big visual effects designers of this planet.
The fmx may not be as big as SIGGRAPH, but like an American professional stated, it is superbly organized, which makes it a truly wonderful event throughout the world of Visual Effects, Animation, Games and Digital Media.
The fmx may not be as big as SIGGRAPH, but like an American professional stated, it is superbly organized, which makes it a truly wonderful event throughout the world of Visual Effects, Animation, Games and Digital Media.
Cloudy, sometimes rainy. Stuttgart, the capital of the German federal state of Baden Wüerrttemberg is once again for the next four days the global center of animation. The fmx conference opened its gates to the huge crowds of professionals, students, journalists and all enthusiasts.
Cloudy, sometimes rainy. Stuttgart, the capital of the German federal state of Baden Wüerrttemberg is once again for the next four days the global center of animation. The fmx conference opened its gates to the huge crowds of professionals, students, journalists and all enthusiasts.
The festival is in wind-down mode as producer Max Howard intros a screening of the independently-financed Igor. Afterwards Howard does a q&a, describing its labor-of-love creation headed up by former staffers of Disney’s shut-down Paris studio and the challenges – and freedom – of producing animation without major studio backing.
Bryan Hoff tests the new HP Z800 to see if it offers enough of an increase in efficiency and productivity to justify the expense in this economic downturn.
Imagina, a longstanding computer graphics conference in Europe, has transformed itself in 2009 to cater more toward the industrial and building industries, with the prior media and entertainment scope being served by one of several sub-conference tracks.
The novelty and cutting edge feeling of the Art Gallery and Emerging Technology shows of earlier years is missing and it feels like these sectors have reached a plateau.
