The Unnatural History of Independent Animated Films on 16mm.
Once upon a time there was a world without video tape...Karl Cohen takes us back in time to the days when 16mm film reigned.
Once upon a time there was a world without video tape...Karl Cohen takes us back in time to the days when 16mm film reigned.
Melissa Chimovitz interviews Polish independent animators Jerzy Kucia and Piotr Dumala, with the help of oTTo Alder, at the Fantoche Film Festival.
Flatworld by Daniel Greaves. Tandem Films Entertainment. Shock by Zlatin Radev. Zlatin Radev Films.
An international jury comprised of Raoul Servais (Belgium), Natalia Orlova (Russia), Monique Renault (The Netherlands), and Natalia Chernyshova (Ukraine) awarded the following prizes and diplomas at KROK `97: Prizes Grand Prix: Daniel Greaves for Flat World (Great Britain) Special Jury Prize: Mikhail Aldashin The Nativity (Russia) Special Jury Prize: Nick Park for A Close Shave (Great Britain) Special Jury Prize:...
This month we are defining the collection at The National Film & Television Archive in the United Kingdom. Founded in 1936, the NFTVA has an expansive collection of British animation available for investigation.
Photo by Cintia Matte Ruschel. Animation World Network. SIGGRAPH `97 came to Los Angeles with such a hype and fervor that before anyone knew what was happening, everyone was involved. The event was the talk of the town as SIGGRAPH graciously welcomed, not only the usual crowd of academia, visual effects artists and students, but by week's end, everyone from the curious to those remotely involved with the entertainment or computing field. Our extensive coverage of this event includes several features: Avi Hoffer's The Films of SIGGRAPH `97: A Coming...
Wendy Jackson talks with the renowned Czech surrealist filmmaker upon the release of his new film and receipt of a lifetime achievement award.
Ann C. Phillipon talks with "quintessential independent American animator, George Griffin" about his life and art.
New York producer Michael Sporn's commitment to making films about human issues has lately led him to animated documentaries for which the children's market has been most receptive. Janet Benn reports.
Brussels logo by Johan DeMoor.The sixteenth edition of the Brussels Cartoon and Animated Film Festival, organized by Folioscope, was held from February 4-16, during the Mardi Gras school holiday.
Apart from a retrospective held at the Museum of Cinema, this year's event was limited to one movie theater (Passage 44). The organizers, essentially, had not been able to reach a satisfactory agreement with the Botanique (a publicly-subsidized cultural center) that had served as the venue for specialized programs for previous editions.
Festivalgoers nevertheless didn't suffer because of this,...
Maureen Furniss recounts her experiences as a member of the Ottawa 96 selection committee, providing some friendly advice from her and her fellow jurors.
Many time festival programmer and juror Otto Adler provides his viewpoint on the ins and outs of selecting and programming films.
Philippe Moins takes a look at one of the oldest and most respected animation schools in continental European.
Hans Fischerkoesen, Germany's leading producer of animated commercials, was ordered to make theatrical cartoons by the government in World War II, as William Moritz notes, he produced a trio of remarkable films which were not exactly Nazi propaganda.
Translated by William MoritzMonique Renault (Netherland).Thursday, August 22, First Day of the Festival Arrived yesterday after having flown halfway around the world without seeing very much of it. Yes, Taiwan. It's much bigger than I had imagined. I thought Taiwan was just a pile of little workshops where people made counterfeit Diors, false Raybans or Adidas ... Evidently there are also mountains and greenery.
I'm happy to be back in Hiroshima. Last May, for the selection of films--Ah! that selection!--I discovered Japan. You encounter the politeness of the Japanese while working,...
Jerry Beck recounts his fascination with anime and how his frustration with Hollywood's attitude towards it led him and Carl Macek to do something about it.
Art Culture and Technology (ACT) is attempting to bring animation to this year's Atlanta Olympics as part of an innovative multimedia installation. Mark Segall reports.
In 1984, ASIFA-Hollywood and the Academy of Motion Picture Arts & Sciences put on a unique mini-animation festival as part of Los Angeles' Olympic Arts Festival. Harvey Deneroff profiles the woman behind the Olympiad of Animation, along with listings of films, including the landmark poll of the 50 greatest animated films of all time.
The 12th World Festival of Animated Films was held June 10-14, 1996 in Zagreb, where artists, journalists and lovers of animation from around the world gathered to watch more than 50 films representing the best in international animation. Although it is only one in a growing number of important international animation events, Zagreb is unique among festivals for several reasons. Most importantly, it represents not only the proud heritage of Croatia's famed Zagreb School of animation, but also a significant political and cultural institution for the emerging democratic Croatian society....
The Brothers Quay, those enigmatic masters of stop motion, have now come forth with The Institute Benjamenta, their first "live-action" feature. Suzanne Buchan takes a look at the film and their career.